Programming the Absolute: Nineteenth-century German Music and the Hermeneutics of the MomentPrinceton University Press, 10.11.2002 - 346 sivua Programming the Absolute discusses the notorious opposition between absolute and program music as a true dialectic that lies at the heart of nineteenth-century German music. Beginning with Beethoven, Berthold Hoeckner traces the aesthetic problem of musical meaning in works by Schumann, Wagner, Liszt, Mahler, and Schoenberg, whose private messages and public predicaments are emblematic for the cultural legacy of this rich repertory. |
Sisältö
Beethovens Star | 12 |
Schumanns Distance | 51 |
Elsas Scream | 115 |
Liszts Prayer | 155 |
Schoenbergs Gaze | 189 |
Echos Eyes | 224 |
Notes | 266 |
317 | |
339 | |
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Programming the Absolute: Nineteenth-century German Music and the ... Berthold Hoeckner Rajoitettu esikatselu - 2002 |
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