Early Soviet Cinema: Innovation, Ideology and PropagandaWallflower Press, 2000 - 114 sivua Early Soviet Cinema: Innovation, Ideology and Propaganda examines the aesthetics of Soviet cinema during its "golden age" of the 1920s, against a background of cultural ferment and the construction of a new socialist society. Separate chapters are devoted to the work of Sergei Eisenstein, Lev Kuleshov, Vsevolod Pudovkin, Dziga Vertov and Alexander Dovzhenko. Other major directors are also discussed at length. David Gillespie places primary focus on the text, with analysis concentrating on the artistic qualities, rather than the political implications, of each film. The result is not only a discussion of each director's contribution to the "golden age" and to world cinema but also an exploration of their own distinctive poetics. |
Sisältö
lev kuleshov and the origins of montage in soviet cinema | 22 |
sergei eisenstein and the mythopoetics of revolution | 35 |
conflict and struggle as film art | 57 |
alexander dovzhenko and ukrainian nationalist cinema | 79 |
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
actor Aelita Alexander Dovzhenko Alexander Nevsky Amogolan Arsenal artistic attacked audiences Battleship Potemkin Bolsheviks Boris Barnet cameraman Cine-Eyes Civil collectivisation comedy Cossacks countryside create critics cross-cutting Death Ray depiction documentary Dziga Vertov Earth Edith editing Esfir Shub father film's filmmakers Fridrikh Ermler golden age Grigory Kozintsev hero Hollywood ideological Ilinsky images inter-cut Ivan the Terrible Kerensky Kozintsev and Leonid kulaks lakov Protazanov Lapkina Lenin Leonid Trauberg Lev Kuleshov London Marfa masses metaphor Michael Mikhail montage Moscow mother Movie Camera Nikolai October organisation Party Pavel peasants Pelageia picture played police political proletariat propaganda Provisional Government reality Revolution revolutionary role Russian sailors scene screen Sergei Eisenstein Shchors shots shows social Socialist Realism soldiers Soviet cinema Soviet culture Soviet film Soviet Union St Petersburg Stalin Strike struggle symbol Taylor and Christie theatre Tsar Ukrainian USSR viewer visual Vladimir Vsevolod Pudovkin West Winter Palace workers Zhban Zvenigora