Painting and Sculpture in Europe 1780-1880Yale University Press, 1.1.1995 - 483 sivua From the Classicism of Jacques-Louis David to the Realism of Courbet and the Early Impressionism of Renoir, this book outlines the course taken by painting and sculpture in Europe during the 19th century. Faced with the untidy sprawl of individualism which followed the French Revolution and threw up isolated geniuses like Goya, the author nevertheless charts the currents in what was predominantly a century of Naturalism and also - whilst artists were increasingly preoccupied with the inner man - of great landscape-painting when Friedrich, Corot and the Impressionists proper added light and atmosphere to the former achievements of the great Dutch masters. |
Sisältö
Foreword | 11 |
Classicism in France | 19 |
Classicism in Germany and Austria | 49 |
LandscapePainting during the Classical Revival | 67 |
Classicism in Other Countries | 87 |
German Romanticism and the Nazarenes | 95 |
Francisco de Goya 17461828 | 133 |
The French Romantiques | 145 |
Under the Sign of Realism | 297 |
Intellectual Painting in | 317 |
French Impressionism | 331 |
The Situation about 1880 | 369 |
The Sculpture of the Classicist Period | 377 |
Sculpture in the Days of Romanticism and Realism | 397 |
Sculpture in the Third Quarter of the Nineteenth Century | 407 |
The Return to Form | 413 |
Early Naturalism Biedermeier Painting | 195 |
German Biedermeier Romanticism | 227 |
Late Romanticism and Early Realism in Other Countries | 239 |
Realism in France | 247 |
Naturalism in Germany | 277 |
Notes | 421 |
Bibliography | 431 |
List of Illustrations | 456 |
| 465 | |
Yleiset termit ja lausekkeet
achieved already appears artists Baroque became become beginning Berlin Biedermeier called Carstens characteristic Classicism Classicist clearly close Collection colour completely composition conception Copenhagen Courbet dating Daumier David Delacroix despite direct drawings early effects element especially etchings example expression extreme fact field figures followed France French Friedrich German hand human idea ideal illustrations important Impressionism Impressionist individual influence Ingres Italy Jahrhunderts Johann kind Kunst landscape landscape-painting late later less light limits lived London Louvre Manet manner masters means models monumental Munich mural Museum nature never nineteenth century opposite painterly painters painting Paris period played portraits principle produced pupil realism reality reason remained rendering represented result Romantic Romanticism Rome scenes sculpture sense shows side spirit style subjects things tion true versions Vienna whole Wilhelm
Kirjaluettelon tiedot
| Otsikko | Painting and Sculpture in Europe 1780-1880 The Yale University Press Pelican History of Art Series Yale University Press Pelican history of art |
| Kirjoittaja | Fritz Novotny |
| Painos | lyhentämätön |
| Kustantaja | Yale University Press, 1995 |
| ISBN | 0300053215, 9780300053210 |
| Pituus | 483 sivua |
| Vie sitaatti | BiBTeX EndNote RefMan |