Characteristics of Women, Moral, Poetical, and Historical, Nide 2Ticknor and Fields, 1846 - 467 sivua |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 19
Sivu 56
... coloring is wholly want- ing in Camiola , so that when she is placed in contrast with the glowing eloquence , the luxuriant grace , the buoyant spirit of Portia , the effect is somewhat that of coldness and formality . Notwithstanding ...
... coloring is wholly want- ing in Camiola , so that when she is placed in contrast with the glowing eloquence , the luxuriant grace , the buoyant spirit of Portia , the effect is somewhat that of coldness and formality . Notwithstanding ...
Sivu 93
... coloring in which Schiller has arrayed his Thekla is pale , sombre , vague , compared with the strong individual marking , the rich , glow of life and real- ity , which distinguish Juliet . One contrast in particular has always struck ...
... coloring in which Schiller has arrayed his Thekla is pale , sombre , vague , compared with the strong individual marking , the rich , glow of life and real- ity , which distinguish Juliet . One contrast in particular has always struck ...
Sivu 98
... written , I have met with some remarks of a similar tendency in that most interesting book , " The Life of Lord E. Fitzgerald . " and the magical illusion of the coloring , she reminds 98 CHARACTERS OF PASSION AND IMAGINATION .
... written , I have met with some remarks of a similar tendency in that most interesting book , " The Life of Lord E. Fitzgerald . " and the magical illusion of the coloring , she reminds 98 CHARACTERS OF PASSION AND IMAGINATION .
Sivu 99
Mrs. Jameson (Anna). and the magical illusion of the coloring , she reminds us of some of the marvellous Dutch paintings , from which , with all their coarseness , we start back as from a reality . Her low humor , her shallow garrulity ...
Mrs. Jameson (Anna). and the magical illusion of the coloring , she reminds us of some of the marvellous Dutch paintings , from which , with all their coarseness , we start back as from a reality . Her low humor , her shallow garrulity ...
Sivu 111
... coloring of poetry in the sentiments , language and details . It is passion developed under its most profound and serious aspect ; as in Isabella , we have the serious and the thought- ful , not the brilliant side of intellect . Both ...
... coloring of poetry in the sentiments , language and details . It is passion developed under its most profound and serious aspect ; as in Isabella , we have the serious and the thought- ful , not the brilliant side of intellect . Both ...
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Yleiset termit ja lausekkeet
acter admiration affection ALDA Antigone Antony Beatrice beauty Benedick Bretagne Cæsar Camiola character charm CHARMIAN CLEOPATRA coloring Constance Cordelia Coriolanus CYMBELINE daughter death delicacy delineation Desdemona despair dignity dramatic Elinor eloquence expression exquisite eyes fancy father fear feeling female feminine fond gentle grace grief Hamlet hath heart heaven Helena Hermione honor horror husband Iago imagination Imogen impression innocence intellect Isabella Juliet Katherine king Lady Macbeth Lear Leontes lord lover madam Madame de Staël marriage MEDON mind Miranda moral mother nature never noble Octavia once Ophelia Othello passion pathos Perdita perfect pity placed play Plutarch poetical poetry Polynices Portia portrait Posthumus pride queen Romeo Romeo and Juliet Rosalind Roussillon scene scorn sense sentiment Shak Shakspeare Shakspeare's Shylock simplicity soft soul speak spirit story sweet temper tenderness thee things thou thought tion tragedy true truth Viola virtue VOLUMNIA whole wife woman women words