A Companion to Shakespeare's SonnetsMichael Schoenfeldt John Wiley & Sons, 15.4.2008 - 544 sivua This Companion represents the myriad ways of thinking about the remarkable achievement of Shakespeare’s sonnets.
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Tulokset 1 - 5 kokonaismäärästä 89
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... Writing A Companion to Renaissance Drama A Companion to Victorian Poetry A Companion to the Victorian Novel 17–20. A Companion to Shakespeare's Works: Volumes I–IV 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. A ...
... Writing A Companion to Renaissance Drama A Companion to Victorian Poetry A Companion to the Victorian Novel 17–20. A Companion to Shakespeare's Works: Volumes I–IV 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. A ...
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... Writers and Their Work: Richard II, and has published extensively in the field of literature, medicine, and the body. Rayna Kalas is Assistant Professor of English at Cornell University, where she teaches sixteenth- and seventeenth ...
... Writers and Their Work: Richard II, and has published extensively in the field of literature, medicine, and the body. Rayna Kalas is Assistant Professor of English at Cornell University, where she teaches sixteenth- and seventeenth ...
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... writing a deliberate sequence, we cannot be certain that the 1609 text sets the poems in the precise order Shakespeare intended. But various themes and narrative strands do emerge over the course of the volume. The collection, first of ...
... writing a deliberate sequence, we cannot be certain that the 1609 text sets the poems in the precise order Shakespeare intended. But various themes and narrative strands do emerge over the course of the volume. The collection, first of ...
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... writing sonnets with the left hand, as John Milton would say of his own composition of polemical prose. Indeed, when Shakespeare seeks in his plays to achieve a kind of heightened affect, it is the formal appurtenances of poetry – meter ...
... writing sonnets with the left hand, as John Milton would say of his own composition of polemical prose. Indeed, when Shakespeare seeks in his plays to achieve a kind of heightened affect, it is the formal appurtenances of poetry – meter ...
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... writing on the sonnets. Part I, “Sonnet Form and Sonnet Sequence,” is focused on the two competing modes of significance and attention that all readers of the sonnets must confront: the aesthetic integrity of the highly wrought ...
... writing on the sonnets. Part I, “Sonnet Form and Sonnet Sequence,” is focused on the two competing modes of significance and attention that all readers of the sonnets must confront: the aesthetic integrity of the highly wrought ...
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PART II Shakespeare and His Predecessors | 71 |
PART III Editorial Theory and Biographical Inquiry Editing the Sonnets | 119 |
PART IV The Sonnets in Manuscript and Print | 183 |
PART V Models of Desire in the Sonnets | 223 |
PART VI Ideas of Darkness in the Sonnets | 291 |
PART VII Memory and Repetition in the Sonnets | 329 |
PART VIII The Sonnets inand the Plays | 361 |
PART IX The Sonnets and A Lovers Complaint | 403 |
Appendix The 1609 Text of Shakespeares Sonnets and A Lovers Complaint | 441 |
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