Literary Criticism: Pope to CroceGay Wilson Allen, Harry Hayden Clark American Book Company, 1941 - 659 sivua |
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Sivu 293
... character in these plays - the few exceptions only are mistakes - is alike essentially vain and worthless . The great art of Congreve is especially shown in this , that he has entirely excluded from his scenes - some little generosities ...
... character in these plays - the few exceptions only are mistakes - is alike essentially vain and worthless . The great art of Congreve is especially shown in this , that he has entirely excluded from his scenes - some little generosities ...
Sivu 325
... character and one which makes it even more striking ; it changes the giants to dwarfs and makes gnomes of the ... character in seventeenth - century Italian farce . Harlequin , in modern comedy , a posturing , acrobatic character in ...
... character and one which makes it even more striking ; it changes the giants to dwarfs and makes gnomes of the ... character in seventeenth - century Italian farce . Harlequin , in modern comedy , a posturing , acrobatic character in ...
Sivu 510
... characters , the two accents , of superiority , yet they are nevertheless vitally con- nected one with the other . The superior character of truth and seriousness , in the matter and substance of the best poetry , is inseparable from ...
... characters , the two accents , of superiority , yet they are nevertheless vitally con- nected one with the other . The superior character of truth and seriousness , in the matter and substance of the best poetry , is inseparable from ...
Sisältö
ALEXANDER POPE | 1 |
JOSEPH ADDISON | 24 |
FRANÇOIS MARIE AROUET DE VOLTAIRE | 35 |
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action admirable Aeschylus aesthetic Alexander Pope ancient appears artist beauty BIBLIOGRAPHY TEXT century character Charles Lamb classical Claude Bernard Coleridge comedy comic common divine drama Edgar Allan Poe English epic essay Euripides expression eyes fact fancy feeling fiction French Friedrich Schlegel genius give Goethe Greek Homer human idea ideal Iliad imagination imitation intellect judge judgment language laws less Literary Criticism literature living London lyric Madame de Staël manner matter means mind modern Modern Language Association Molière moral nation nature never novel novelist object observation painting Paris passion person philosophy pleasure poem poet poetic poetry Preface principle produced prose reader reason romantic romanticism rules Sainte-Beuve Schiller sense sentiments Shakespeare soul speak spirit taste theory things thought tion tragedy translation true truth University verse vols Voltaire Walter Pater whole words writing York