Literary Criticism: Pope to CroceGay Wilson Allen, Harry Hayden Clark American Book Company, 1941 - 659 sivua |
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Sivu 151
... nature , it is necessary that nature should have first displayed all her power before our eyes . The sensuous being must be profoundly and strongly affected , passion must be in play , that the reasonable being may be able to testify ...
... nature , it is necessary that nature should have first displayed all her power before our eyes . The sensuous being must be profoundly and strongly affected , passion must be in play , that the reasonable being may be able to testify ...
Sivu 153
... nature , when the poet wishes to make the approximate to human- ity . Mars , when wounded , roars like ten thousand men together , and Venus , scratched by an iron lance , mounts again to Olympus , weeping , and cursing all battles ...
... nature , when the poet wishes to make the approximate to human- ity . Mars , when wounded , roars like ten thousand men together , and Venus , scratched by an iron lance , mounts again to Olympus , weeping , and cursing all battles ...
Sivu 334
... nature ! nature and truth ! -And here , in order to prove that , far from demolishing art , the new ideas aim only to re- construct it more firmly and on a better foundation , let us try to point out the impassable limit which , in our ...
... nature ! nature and truth ! -And here , in order to prove that , far from demolishing art , the new ideas aim only to re- construct it more firmly and on a better foundation , let us try to point out the impassable limit which , in our ...
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ALEXANDER POPE | 1 |
JOSEPH ADDISON | 24 |
FRANÇOIS MARIE AROUET DE VOLTAIRE | 35 |
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action admirable Aeschylus aesthetic Alexander Pope ancient appears artist beauty BIBLIOGRAPHY TEXT century character Charles Lamb classical Claude Bernard Coleridge comedy comic common divine drama Edgar Allan Poe English epic essay Euripides expression eyes fact fancy feeling fiction French Friedrich Schlegel genius give Goethe Greek Homer human idea ideal Iliad imagination imitation intellect judge judgment language laws less Literary Criticism literature living London lyric Madame de Staël manner matter means mind modern Modern Language Association Molière moral nation nature never novel novelist object observation painting Paris passion person philosophy pleasure poem poet poetic poetry Preface principle produced prose reader reason romantic romanticism rules Sainte-Beuve Schiller sense sentiments Shakespeare soul speak spirit taste theory things thought tion tragedy translation true truth University verse vols Voltaire Walter Pater whole words writing York