Literary Criticism: Pope to CroceGay Wilson Allen, Harry Hayden Clark American Book Company, 1941 - 659 sivua |
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Tulokset 1 - 3 kokonaismäärästä 85
Sivu 148
... theory to an accept- ance of a more neoclassic theory of improved nature . In general , Schiller's early philosophy is in the spirit of German Enlightenment ( Aufklärungs - philosophie ) , and he was influenced not only by Leibnitz and ...
... theory to an accept- ance of a more neoclassic theory of improved nature . In general , Schiller's early philosophy is in the spirit of German Enlightenment ( Aufklärungs - philosophie ) , and he was influenced not only by Leibnitz and ...
Sivu 297
... theory of the imagination , as the manuscript fragments published by Richard Garnett indicate ; and indeed he might , for a full explana- tion of his doctrine of imagination as " the power of association " would involve him in a theory ...
... theory of the imagination , as the manuscript fragments published by Richard Garnett indicate ; and indeed he might , for a full explana- tion of his doctrine of imagination as " the power of association " would involve him in a theory ...
Sivu 601
... theory in his lectures at the Odéon in 1891-1892 , Les Epoques du théâtre française . Brunetière's presentation of the theory is entirely original , but it perhaps owes some- thing to the doctrine of " tragic conflict " which Schlegel ...
... theory in his lectures at the Odéon in 1891-1892 , Les Epoques du théâtre française . Brunetière's presentation of the theory is entirely original , but it perhaps owes some- thing to the doctrine of " tragic conflict " which Schlegel ...
Sisältö
ALEXANDER POPE | 1 |
JOSEPH ADDISON | 24 |
FRANÇOIS MARIE AROUET DE VOLTAIRE | 35 |
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action admirable Aeschylus aesthetic Alexander Pope ancient appears artist beauty BIBLIOGRAPHY TEXT century character Charles Lamb classical Claude Bernard Coleridge comedy comic common divine drama Edgar Allan Poe English epic essay Euripides expression eyes fact fancy feeling fiction French Friedrich Schlegel genius give Goethe Greek Homer human idea ideal Iliad imagination imitation intellect judge judgment language laws less Literary Criticism literature living London lyric Madame de Staël manner matter means mind modern Modern Language Association Molière moral nation nature never novel novelist object observation painting Paris passion person philosophy pleasure poem poet poetic poetry Preface principle produced prose reader reason romantic romanticism rules Sainte-Beuve Schiller sense sentiments Shakespeare soul speak spirit taste theory things thought tion tragedy translation true truth University verse vols Voltaire Walter Pater whole words writing York