Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
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Tulokset 1 - 3 kokonaismäärästä 8
Sivu 45
... close to the surface of the work . Until the foregoing confession - scene , he has stood in the back- ground , coming forward now and then with a cogent comment on the political situation , shooting the bear at a moment when all ...
... close to the surface of the work . Until the foregoing confession - scene , he has stood in the back- ground , coming forward now and then with a cogent comment on the political situation , shooting the bear at a moment when all ...
Sivu 49
... close in tone to Mickiewicz's . Eugene Onegin is exceptional , for Pushkin , in that the narrative voice is such an integral and dominant part of the poem . For one thing , it is more continuous with the poet's life than his other works ...
... close in tone to Mickiewicz's . Eugene Onegin is exceptional , for Pushkin , in that the narrative voice is such an integral and dominant part of the poem . For one thing , it is more continuous with the poet's life than his other works ...
Sivu 64
... close to Dante and by deprecating the importance of the prophetic element in art , gives some illusion of doing so . ( Romanticism Reconsidered , p . 24 ) And Wilson : I have noted the similarity between the English seventeenth- century ...
... close to Dante and by deprecating the importance of the prophetic element in art , gives some illusion of doing so . ( Romanticism Reconsidered , p . 24 ) And Wilson : I have noted the similarity between the English seventeenth- century ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition 333 | 33 |
Tekijänoikeudet | |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters Classical Tradition Classicist consciousness contemporary conventions created critics Czeslaw Czeslaw Milosz decorum digressions dream East Coker emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet hero human Ibid imagination imitation individual intellectual Konrad Wollenrod Lady Lancelot Andrewes Lawrence Lensky's literary London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths Nabokov narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz parody Peckham perception Picasso poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist prose Prufrock reader realism reality Robak role Romantic Image Romantic personality Romanticism sense sentimental social society spiritual stanzas Studies in Romanticism subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing thought tion truth twentieth century University Press values vision whole words York