Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 17
Sivu 2
... hand our need of order , of synthesis , of a comprehensive yet definite , therefore exclusive as well as inclu- sive , ordering of thought and feeling and action , and on the other hand the dis- covery of the finiteness , of the ...
... hand our need of order , of synthesis , of a comprehensive yet definite , therefore exclusive as well as inclu- sive , ordering of thought and feeling and action , and on the other hand the dis- covery of the finiteness , of the ...
Sivu 52
... hands , and artistic direction , of Pushkin and his Muse . 40 " Nothing is more characteristic of the fate of Polish ... hand , was experimenting with dramatic and short - story forms right up to his sudden , and equally ironic death in ...
... hands , and artistic direction , of Pushkin and his Muse . 40 " Nothing is more characteristic of the fate of Polish ... hand , was experimenting with dramatic and short - story forms right up to his sudden , and equally ironic death in ...
Sivu 66
... hand in hand " with formal mannerism.7 The Classical often is characterized entirely in terms of its craftsmanlike interest in form and design . In formal terms , Classics are distinguished by their symmetry , control , decorum , grace ...
... hand in hand " with formal mannerism.7 The Classical often is characterized entirely in terms of its craftsmanlike interest in form and design . In formal terms , Classics are distinguished by their symmetry , control , decorum , grace ...
Sisältö
The Crisis of the European Conscience | 1 |
Artifice and Realism | 13 |
Pan Tadeusz and the Epic Tradition | 33 |
Tekijänoikeudet | |
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Yleiset termit ja lausekkeet
Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters Classical Tradition Classicist consciousness contemporary conventions created critics Czeslaw Czeslaw Milosz decorum digressions dream East Coker emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet hero human Ibid imagination imitation individual intellectual Konrad Wollenrod Lady Lancelot Andrewes Lawrence Lensky's literary London M. H. Abrams mannerist Mawr Milosz mind modern myths Nabokov narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz parody Peckham perception Picasso poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist prose Prufrock reader realism reality Robak role Romantic Image Romantic personality Romanticism sense sentimental social society spiritual STANFORD stanzas Studies in Romanticism subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing thought tion truth twentieth century University Press values vision whole words York