Pushkin, Mickiewicz and the Overcoming of RomanticismHumanities Honors Program, Stanford University, 1976 - 110 sivua |
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Tulokset 1 - 3 kokonaismäärästä 22
Sivu 19
... never mind this - we must hurry , For while extraneous themes I broach , Onegin in a headlong flurry Drives to the ball by hired coach ; ( I , 27 ) more than the exhilaration of participation , we have a novel sense of time - and ...
... never mind this - we must hurry , For while extraneous themes I broach , Onegin in a headlong flurry Drives to the ball by hired coach ; ( I , 27 ) more than the exhilaration of participation , we have a novel sense of time - and ...
Sivu 79
... never could have been written by a Romantic poet or even by a Symboliste , for it implies that “ external facts " possess an objectivity which Romanticism never could allow . And since the Romantics ascribe to their Image the same ...
... never could have been written by a Romantic poet or even by a Symboliste , for it implies that “ external facts " possess an objectivity which Romanticism never could allow . And since the Romantics ascribe to their Image the same ...
Sivu 91
... never envisioned . For Eliot ( as for most Classicists ) , improvement comes only through the felix culpa : or , in the language of Aeschylus , " Zeus has ordained it that wisdom comes alone through suffering . " Eliot writes that ...
... never envisioned . For Eliot ( as for most Classicists ) , improvement comes only through the felix culpa : or , in the language of Aeschylus , " Zeus has ordained it that wisdom comes alone through suffering . " Eliot writes that ...
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Pan Tadeusz and the Epic Tradition 333 | 33 |
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Adam Mickiewicz aesthetic Alexander Pushkin Alfred Prufrock American Slavic Review Aristotelian Aristotle artifice artist Bayley Byron characters Classical Tradition Classicist consciousness contemporary conventions created critics Czeslaw Czeslaw Milosz decorum digressions dream East Coker emotional epic Essays Eugene Onegin Eugene's European experience fact Hamlet hero human Ibid imagination imitation individual intellectual Konrad Wollenrod Lady Lancelot Andrewes Lawrence Lensky's literary London M. H. Abrams mannerist Mawr Milosz mind modern motifs myths Nabokov narrator nature neo-Classical neo-Classicism novel objective correlative orientation Pan Tadeusz parody Peckham perception Picasso poem poet poet's poetic poetry Poland Polish Polish Literature post-Symbolist prose Prufrock reader realism reality Robak role Romantic Image Romantic personality Romanticism sense sentimental social society spiritual stanzas Studies in Romanticism subjective sublime Sweeney Symbolism Symbolist T. S. Eliot Tatyana Telimena theme thing thought tion truth twentieth century University Press values vision whole words York