Essays, Political, Historical, and Miscellaneous, Nide 3 |
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Tulokset 1 - 5 kokonaismäärästä 55
Sivu
III. CHATEAUBRIAND, - - - - - - l VIRGIL Tasso, AND RAPHAEL, . - - - - 42 GUIzot,
- - - - - - - 73 > THE ROMANTIC DRAMA, - - - - - 105 WELLINGTON, - 139
HUMBOLDT, . - - - - - - 169 THE BRITISH SCHOOL of ARCHITECTURE, - - - 199
ow.
III. CHATEAUBRIAND, - - - - - - l VIRGIL Tasso, AND RAPHAEL, . - - - - 42 GUIzot,
- - - - - - - 73 > THE ROMANTIC DRAMA, - - - - - 105 WELLINGTON, - 139
HUMBOLDT, . - - - - - - 169 THE BRITISH SCHOOL of ARCHITECTURE, - - - 199
ow.
Sivu 51
... indeed, is not confined within the narrow limits of the Grecian drama; the poem
may embrace a longer period than it requires to read it. But in epic poetry, as in
all the fine arts, one unity is indispensable—the unity of interest or emotion.
... indeed, is not confined within the narrow limits of the Grecian drama; the poem
may embrace a longer period than it requires to read it. But in epic poetry, as in
all the fine arts, one unity is indispensable—the unity of interest or emotion.
Sivu 80
Hence his views strike at the freedom of human actions; he makes men and
nations little more than the puppets by which the Deity works out the great drama
of human affairs. Without disputing the reality of such immediate agency in some
...
Hence his views strike at the freedom of human actions; he makes men and
nations little more than the puppets by which the Deity works out the great drama
of human affairs. Without disputing the reality of such immediate agency in some
...
Sivu 105
1846] MAGAULAY says that the object of the drama is the painting of the human
heart; and, as that is portrayed by the events of a whole life, he concludes that it is
by poets repreSenting in a short space a long series of actions, that the end of ...
1846] MAGAULAY says that the object of the drama is the painting of the human
heart; and, as that is portrayed by the events of a whole life, he concludes that it is
by poets repreSenting in a short space a long series of actions, that the end of ...
Sivu 106
In this admirable passage, the principle on which the romantic drama rests is
clearly and manfully stated; and it is on the possibility of effecting the object which
is here so well described, that the whole question between it and the Greek
unities ...
In this admirable passage, the principle on which the romantic drama rests is
clearly and manfully stated; and it is on the possibility of effecting the object which
is here so well described, that the whole question between it and the Greek
unities ...
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admirable amidst ancient appear arms army beauty become British brought cause century character classes consequence continued decline direct drama effect efforts elevated empire England English entirely equally established Europe evils existence fact feelings felt followed force foreign France French genius give greatest hand heart highest human hundred ideas imagination important impression increase industry influence interest Italy labour land least less light manners means mind nature never noble object observation once opinion original painting party passions period persons picture political present principles produced provinces race reason rendered respect rich Roman Rome ruin scenes seen side society spirit stage success suffering taken thing thought thousand tion trade true truth universal vast wealth whole writers
Kirjaluettelon tiedot
| Otsikko | Essays, Political, Historical, and Miscellaneous, Nide 3 Essays, Political, Historical, and Miscellaneous, Archibald Alison |
| Kirjoittaja | Archibald Alison |
| Kustantaja | W. Blackwood, 1850 |
| Alkuperäisteoksen sijainti | Kalifornian yliopisto |
| Digitoitu | 18. lokakuu 2007 |
| Vie sitaatti | BiBTeX EndNote RefMan |