Essays, Political, Historical, and Miscellaneous, Nide 3 |
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Tulokset 1 - 5 kokonaismäärästä 73
Sivu 68
... again, who have reflected on the means by which the higher stages in any art
are attained, will acknowledge that, at a certain elevation, their principles are the
same. To move the heart, whether by painting, poetry, or eloquence, requires the
...
... again, who have reflected on the means by which the higher stages in any art
are attained, will acknowledge that, at a certain elevation, their principles are the
same. To move the heart, whether by painting, poetry, or eloquence, requires the
...
Sivu 109
The Iliad not only relates exclusively the latter stages of the siege of Troy, but the
whole period of its action is fortyeight days—of its absorbing interest, (the time
from the storming of the Greek lines by Hector to his death by the ...
The Iliad not only relates exclusively the latter stages of the siege of Troy, but the
whole period of its action is fortyeight days—of its absorbing interest, (the time
from the storming of the Greek lines by Hector to his death by the ...
Sivu 110
The airy visions of the past are clothed in flesh and blood. The marvels of acting,
scenery, and stage effect, come to add to the pathos of incident, to multiply
tenfold the charms of poetry. It is impossible to conceive intellectual enjoyment
carried ...
The airy visions of the past are clothed in flesh and blood. The marvels of acting,
scenery, and stage effect, come to add to the pathos of incident, to multiply
tenfold the charms of poetry. It is impossible to conceive intellectual enjoyment
carried ...
Sivu 111
... was as perfect as Mrs Siddons' personation of them ; or whether the grandeur
of Cato or Coriolanus, as they existed in the original mind of Addison or the
patriarch of the English stage, equalled Kemble's inimitable performance of them.
... was as perfect as Mrs Siddons' personation of them ; or whether the grandeur
of Cato or Coriolanus, as they existed in the original mind of Addison or the
patriarch of the English stage, equalled Kemble's inimitable performance of them.
Sivu 112
It may safely be affirmed, that a vast majority of the spectators of the dramas now
habitually represented, with the exception of a few of Shakspeare's, which have
become as household words on the English stage, never understand anything of
...
It may safely be affirmed, that a vast majority of the spectators of the dramas now
habitually represented, with the exception of a few of Shakspeare's, which have
become as household words on the English stage, never understand anything of
...
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admirable amidst ancient appear arms army beauty become British brought cause century character classes consequence continued decline direct drama effect efforts elevated empire England English entirely equally established Europe evils existence fact feelings felt followed force foreign France French genius give greatest hand heart highest human hundred ideas imagination important impression increase industry influence interest Italy labour land least less light manners means mind nature never noble object observation once opinion original painting party passions period persons picture political present principles produced provinces race reason rendered respect rich Roman Rome ruin scenes seen side society spirit stage success suffering taken thing thought thousand tion trade true truth universal vast wealth whole writers