The Cambridge History of American Literature: Volume 6, Prose Writing, 1910-1950Sacvan Bercovitch, Cyrus R. K. Patell Cambridge University Press, 1994 - 640 sivua Volume 6 of The Cambridge History of American Literature explores the emergence and flowering of modernism in the United States. David Minter provides a cultural history of the American novel from the 'lyric years' to World War I, through post-World War I disillusionment, to the consolidation of the Left in response to the mire of the Great Depression. Rafia Zafar tells the story of the Harlem Renaissance, detailing the artistic accomplishments of such diverse figures as Zora Neal Hurston, W. E. B. Du Bois, Langston Hughes, Nella Larsen, and Richard Wright. Werner Sollors examines canonical texts as well as popular magazines and hitherto unknown immigrant writing from the period. Taken together these narratives cover the entire range of literary prose written in the first half of the twentieth century, offering a model of literary history for our times, focusing as they do on the intricate interplay between text and context. |
Sisältö
A Dream City Lyric Years and a Great War | 10 |
Confidence and Uncertainity in The Portrait of a Lady | 15 |
Lines of Expansion | 23 |
Four Contemporaries and the Closing of the West | 34 |
Chicagos Dream City | 37 |
Frederick Jackson Turner in the Dream City | 43 |
Henry Adamss Education and the Grammar of Progress | 48 |
Jack Londons Career and Popular Discourse | 57 |
Black Manhattan | 289 |
Avatars and Manifestos | 295 |
Harlem as a State of Mind Hughes McKay Toomer | 306 |
A New Negro A New Woman Larsen Fauset Bonner | 317 |
DarkSkinned Selves Without Fear or Shame Thurman and Nugent | 326 |
Genre in the Renaissance Fisher Schuyler Cullen White Bontemps | 332 |
Southern Daugher Native Son Hurston and Wright | 340 |
Black Modernism | 348 |
Innocence and Revolt in the Lyric Years 19001916 | 63 |
The Armory Show of 1913 and the Decline of Innocence | 71 |
The Play of Hope and Despair | 77 |
The Great War and the Fate of Writing | 89 |
Fiction in a Time of Plenty | 102 |
The Jazz Age and the Lost Generation Revisited | 108 |
The Perils of Plenty or How the Twenties Acquired a Paranoid Tilt | 125 |
Disenchantment Flight and the Rise of Professionalism in an Age of Plenty | 134 |
Class Power and Violence in a New Age | 142 |
The Fear of Feminization and the Logic of Modest Ambition | 151 |
Marginality and AuthorityRace Gender and Religion | 160 |
War as Metaphor The Example of Ernest Hemingway | 170 |
The fate of writing during the Great Depression | 184 |
The Search for Culture as a Form of Commitment | 190 |
Three Responses The Examples of Henry Miller Djuna Barnes and John Dos Passos | 200 |
Residual Invidualism and Hedged Commitments | 208 |
The Search for Shared Purpose Struggles on the Left | 225 |
Documentary Literature and the Disarming of Dissent | 241 |
The Southern Renaissance Forms of Reaction and Innovation | 250 |
History and NovelsNovels and History The Example of William Faulkner | 266 |
FICTIONS OF THE HARLEM RENAISSANCE | 283 |
A New Negro? | 285 |
ETHNIC MODERNISM | 353 |
Introduction | 355 |
Gertrude Stein and Negro Sunshine | 368 |
Ethnic Lives and Lifelets | 384 |
Ethnic Themes Modern Themes | 405 |
Mary Antin Progressive Optimism | 411 |
Who Is American? | 422 |
American Languages | 428 |
All The Past We Leave Behind? Ole E Rölvaag and the Immigrant Trilogy | 434 |
Modernism Ethnic Labeling and the Quest for Wholeness Jean Toomers New American Race | 442 |
Freud Marx HardBoiled | 452 |
Hemingway Spoken Here | 465 |
Henry Roth Ethnicity Modernity and Modernism | 475 |
The Clock the Salesman and the Breast | 490 |
Was Modernism Antitotalitarian | 512 |
Facing the Extreme | 539 |
Grand Central Terminal | 552 |
Chronology | 557 |
Bibliograph | 597 |
605 | |
Yleiset termit ja lausekkeet
Adams aesthetic African American American literature Antin Ántonia artists authors autobiography became become Call It Sleep celebration characters Chicago Claude McKay color critical culture David death desire dream Dreiser English essay experience father Faulkner feel fiction Fitzgerald forces Gatsby Gertrude Stein H. L. Mencken Harlem Renaissance Hemingway Hemingway's Henry hope Hughes human Hurston immigrant intellectual James jazz Jean Toomer Jewish Jews John land Langston Hughes language later literary lives Lyric Mary Antin McKay Melanctha modern modernist narrative narrator nation Negro novel Passos political prose protagonist published race racial readers remained Richard Wright says scene seemed sense sexual social society South story style Sun Also Rises T. S. Eliot Texts things thirties Toomer tradition twenties United urban voice W. E. B. Du Bois William Faulkner woman women words Wright wrote York young