Virtue's Own Feature: Shakespeare and the Virtue Ethics TraditionUniversity of Delaware Press, 1995 - 260 sivua "Using an historical approach, Virtue's Own Feature explores nine of Shakespeare's most successful works as representations of the passions, virtues, and vices as they are complexly and extensively set out by Aristotle and Thomas Aquinas." "The work first undertakes to describe the late Elizabethan poetic of Sir Philip Sidney, which is demonstrated to be Shakespeare's poetic as well. Second, this study explores Shakespeare's plays in relation to the Aristotelian-Thomistic tradition of moral philosophy, one important branch of a major sixteenth-century philosophical tradition."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 56
Sivu 22
... poets as Sidney and Shakespeare . The origins of Elizabethan poetic can be traced directly to the influ- ence of Renaissance humanism . The full tide of interest in the study of the Greek and Roman classics , at least in England , was ...
... poets as Sidney and Shakespeare . The origins of Elizabethan poetic can be traced directly to the influ- ence of Renaissance humanism . The full tide of interest in the study of the Greek and Roman classics , at least in England , was ...
Sivu 23
... poetic theory of Sidney , so that the medieval poetic of allegorical signification , with its transcendent intellectual concern with the " kernel " or " sentence " behind the " chaff , " was replaced in great mea- sure by a more mimetic ...
... poetic theory of Sidney , so that the medieval poetic of allegorical signification , with its transcendent intellectual concern with the " kernel " or " sentence " behind the " chaff , " was replaced in great mea- sure by a more mimetic ...
Sivu 178
... poet . Poetic imagination is disciplined imagination.9 99 The relation between Ariel and Prospero could not be described more precisely . In act 1 , scene 2 , Ariel is presented as “ idle and purposeless , ' “ flitting and insubstantial ...
... poet . Poetic imagination is disciplined imagination.9 99 The relation between Ariel and Prospero could not be described more precisely . In act 1 , scene 2 , Ariel is presented as “ idle and purposeless , ' “ flitting and insubstantial ...
Sisältö
Preface | 9 |
Acknowledgments | 15 |
Sidneys Apology and Shakespeares Poetic | 21 |
Tekijänoikeudet | |
10 muita osia ei näytetty
Yleiset termit ja lausekkeet
according action Adonis ambition Angelo anger apparent Aquinas Aristotelian Aristotelian-Thomistic Aristotle Aristotle's autem becomes called Cambridge century characters Christian circa clearly clemency complex conception concern contrast course Criticism death described desire discussion distinction Edited effect Elizabethan English Ethics evil excessive expression extremes father fear figures final fortitude give Hamlet happiness historical honor human images important incontinence intention interest interpretation Isabella John justice King Lear lines London lust matter mean Measure mind moral philosophy move nature object opposed opposition passion person play plot poem poet poetic political precisely present Princeton problem provides prudence punishment question quidem reason remarks Renaissance representation represents revenge scene seems sense severity Shakespeare simply sources structure Studies suggest Summa temperance things Thomas Thomistic Thought tion tradition Tragedy University Press various Venus vices virtue York