Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - 553 sivua |
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Tulokset 1 - 3 kokonaismäärästä 88
Sivu 50
... character as I can imagine speaking of a picture of character . When one says picture one says of character , when one says novel one says of inci- dent , and the terms may be transposed at will . What is character but the determination ...
... character as I can imagine speaking of a picture of character . When one says picture one says of character , when one says novel one says of inci- dent , and the terms may be transposed at will . What is character but the determination ...
Sivu 69
... character , and that it is to express character - not to preach doctrines , sing songs , or celebrate the glories of the British Empire , that the form of the novel , so clumsy , verbose , and undramatic , so rich , elastic , and alive ...
... character , and that it is to express character - not to preach doctrines , sing songs , or celebrate the glories of the British Empire , that the form of the novel , so clumsy , verbose , and undramatic , so rich , elastic , and alive ...
Sivu 357
... character as bring out aspects of it which hither- to events had not conspired to release . This is a very different thing from the formal conversion of a villain to a reformed character . A character is not fully revealed until brought ...
... character as bring out aspects of it which hither- to events had not conspired to release . This is a very different thing from the formal conversion of a villain to a reformed character . A character is not fully revealed until brought ...
Muita painoksia - Näytä kaikki
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action admiration aesthetic appears Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama Edith Wharton effect emotion English Epic poetry essay example experience expression fact feeling fiction Freud genius give Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living lovers Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel novelist object passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social Sophocles soul speak spirit stanza story style Surrealists T. S. Eliot taste things thought tion tragedy tragic true truth ture verse whole words write