Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - 553 sivua |
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Tulokset 1 - 3 kokonaismäärästä 75
Sivu 266
... critic : the critic with a mind which is naturally of the creative order , but which through some weakness in creative power exercises itself in criticism in- stead . These minds often find in Hamlet a vicari- ous existence for their ...
... critic : the critic with a mind which is naturally of the creative order , but which through some weakness in creative power exercises itself in criticism in- stead . These minds often find in Hamlet a vicari- ous existence for their ...
Sivu 316
... criticism . 3 Similar strictures and identical precautions are necessary in thinking of other , quite different approaches to criticism , where if there are no ulterior purposes to allow for there are other no less limiting features ...
... criticism . 3 Similar strictures and identical precautions are necessary in thinking of other , quite different approaches to criticism , where if there are no ulterior purposes to allow for there are other no less limiting features ...
Sivu 317
... criticism . It is possible that he ought not to be called a literary critic at all . If we list the titles of his ... Criticism , Science and Poetry , Practical Criticism , Mencius on the Mind , and Coleridge on Imagination . The ...
... criticism . It is possible that he ought not to be called a literary critic at all . If we list the titles of his ... Criticism , Science and Poetry , Practical Criticism , Mencius on the Mind , and Coleridge on Imagination . The ...
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The Poet in the Republic | 3 |
Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH | 30 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider convention course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important individual interest James kind language least less literature living look Marxism matter mean merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reason relation represent scene seems sense social society speak spirit story tell things thought tion tragedy tragic true truth turn understand universal verse whole write young