Pushkin, Mickiewicz and the Overcoming of Romanticism

action Aeschylus aesthetic Aristotle artist becomes beginning Books Byron called century characters Classical close complete consciousness conventions created critics death digressions distinction elements English especially Essays Eugene Onegin European example existence experience fact feeling finally force future hand hero human ideal imagination important individual interest kind language Lawrence lines literary Literature lives London mannerisms meaning Mickiewicz mind myths narrator nature never novel objective once opposite Pan Tadeusz past pattern perception physical play poem poet poet's poetic poetry Polish political present Press Prufrock Pushkin reality reason reflected relation role Romantic Romanticism Russian seems sense sentimental social society spiritual structure Studies subjective Sweeney Symbolism Symbolist T. S. Eliot themes thing thought tion Tradition Translated truth twentieth University University Press values vision whole writes York