Shakespeare's The Winter's Tale, Nide 2Creative Media Partners, LLC, 1872 - 218 sivua This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 50
Sivu 5
... further we push our historical re- searches , the more we are brought to recognize the substan- tial justness of his representations . Even when he makes free with chronology , and varies from the actual order of things , it is commonly ...
... further we push our historical re- searches , the more we are brought to recognize the substan- tial justness of his representations . Even when he makes free with chronology , and varies from the actual order of things , it is commonly ...
Sivu 8
... further than will run smooth with the conditions of the dramatic form . For , to be truly an historical drama , a work should not adhere to the literal truth of history in such sort as to hinder the proper dramatic life ; that is , the ...
... further than will run smooth with the conditions of the dramatic form . For , to be truly an historical drama , a work should not adhere to the literal truth of history in such sort as to hinder the proper dramatic life ; that is , the ...
Sivu 28
... further describes her as 66 a woman whose weakness amounts to grandeur , and whose virtues sink into weakness . " I am not indeed greatly in love with this brilliant way of putting things ; but Gervinus is apt to be substantially right ...
... further describes her as 66 a woman whose weakness amounts to grandeur , and whose virtues sink into weakness . " I am not indeed greatly in love with this brilliant way of putting things ; but Gervinus is apt to be substantially right ...
Sivu 30
... further gain , that the sparing of his eyes is owing to his potency of tongue and the piercing touch of gentleness ; whereas in the history he is indebted for this to his strength of arm . The Arthur of the play is an artless , gentle ...
... further gain , that the sparing of his eyes is owing to his potency of tongue and the piercing touch of gentleness ; whereas in the history he is indebted for this to his strength of arm . The Arthur of the play is an artless , gentle ...
Sivu 36
... further than Shakespeare ; in which excess we may easily detect the in- fluence of a model : for that which proceeds by the reason and law of Art naturally stops with them ; but in proceed- ing by the measure of examples and effects ...
... further than Shakespeare ; in which excess we may easily detect the in- fluence of a model : for that which proceeds by the reason and law of Art naturally stops with them ; but in proceed- ing by the measure of examples and effects ...
Yleiset termit ja lausekkeet
action Anne Boleyn Antony Antony and Cleopatra appears Banquo battle of Shrewsbury beauty better Brutus Cæsar Cassius Catharine cause character Claudius Cloten conscience Coriolanus course crime critics crown Cymbeline death delineation Desdemona drama effect English fact Falstaff father fear feelings folio genius give Hamlet hand heart hero Holinshed honour Hotspur human humour Iago Imogen intellectual John judgment Julius Cæsar kindled King Henry King Lear King's Lear Macbeth madness manhood marriage matter mind Moor moral murder nature never noble Othello passage passion perhaps person piece play Plutarch Poet Poet's poetry Polonius pride Prince purpose quarto Queen reason renders respect revenge Richard Roman scene seems sense Shakespeare shows sort soul speak speech spirit stand strength strong style sure sweet thee thing thou thought tion touch tragedy true truth virtue Weird Sisters whole withal words
Suositut otteet
Sivu 28 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form ; Then have I reason to be fond of grief.
Sivu 57 - God save him !" No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience, — That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
Sivu 88 - twas time to counterfeit, or that hot termagant Scot had paid me scot and lot too. Counterfeit? I lie, I am no counterfeit : to die, is to be a counterfeit ; for he is but the counterfeit of a man who hath not the life of a man : but to counterfeit dying, when a man thereby liveth, is to be no counterfeit, but the true and perfect image of life indeed.
Sivu 114 - I know you all, and will awhile uphold The unyok'd humour of your idleness ; Yet herein will I imitate the sun, Who doth permit the base contagious clouds To smother up his beauty from the world, That when he please again to be himself, Being wanted, he may be more wonder'd at, By breaking through the foul and ugly mists Of vapours that did seem to strangle him.
Sivu 415 - Yare, yare, good Iras; quick. — Methinks, I hear Antony call; I see him rouse himself To praise my noble act; I hear him mock The luck of Caesar, which the gods give men To excuse their after wrath: Husband, I come: Now to that name my courage prove my title ! I am fire, and air; my other elements I give to baser life.
Sivu 167 - O! coward conscience, how dost thou afflict me. The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What! do I fear myself? there's none else by Richard loves Richard; that is, I am I.
Sivu 338 - It is too full o' the milk of human kindness To catch the nearest way : thou wouldst be great ; Art not without ambition, but without The illness should attend it: what thou wouldst highly, That wouldst thou holily ; wouldst not play false, And yet wouldst wrongly win: thou'dst have, great Glamis, That which cries ' Thus thou must do, if thou have it; And that which rather thou dost fear to do Than wishest should be undone.
Sivu 285 - I'll observe his looks; I'll tent him to the quick: if he but blench, I know my course. The spirit that I have seen May be the devil : and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me: I'll have grounds More relative than this: — the play's the thing Wherein I'll catch the conscience of the king.
Sivu 230 - His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
Sivu 196 - Love thyself last: cherish those hearts that hate thee ; Corruption wins not more than honesty. Still in thy right hand carry gentle peace, To silence envious tongues.