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THE

POEMS

OF

WILLIAM CARTWRIGHT.

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THE

LIFE OF WILLIAM CARTWRIGHT.

BY MR. CHALMERS.

THIS poet was born at Northway, near Tewkesbury, in Gloucestershire, September, 1611. His father, after spending a good estate, was reduced to keep an inn at Cirencester, at the free school of which town his son was educated under Mr. William Topp. Being chosen a king's scholar, he was removed to Westminster school, under Dr. Osbaldiston, and thence elected a student of Christ-church, Oxford, in 1628. After pursuing his studies, with the reputation of an extraordinary scholar and genius, he took his master's degree in 1635; and in 1638 went into holy orders, becoming "a most florid and seraphical preacher in the university." One sermon only of his is in print, from which we are not able to form a very high notion of his eloquence: but when Mr. Abraham Wright, of St. John's, Oxford, compiled that scarce little book, entitled Five Sermons in Five several Styles, or Ways of Preaching, it appears that Dr. Maine and Mr. Cartwright were of consequence enough to be admitted as specimens of university preaching. The others are bishop Andrews', bishop Hall's, and the presbyterian and independent "ways of preaching."

In 1642, bishop Duppa, with whom he lived in the strictest intimacy, bestowed on him the place of succentor of the church of Salisbury. In the same year he was one of the council of war, or delegacy, appointed by the university of Oxford, for providing for the troops sent by the king to protect the colleges. His zeal in this office occasioned his being imprisoned by the parliamentary forces when they arrived at Oxford; but he was bailed soon after. In 1643, he was chosen junior proctor of the university, and was also reader in metaphysics. The exposition of them," says Wood," was never better performed than by him and his predecessor Thomas Barlow, of Queen's College." Lloyd asserts, that he studied at the rate of sixteen hours a day. From such diligence and talents much might have been expected; but

1 Wood's Annals, vol. II. 447. C

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he survived the last mentioned appointment a very short time, dying December 23, 1643, in the thirty-second year of his age, of a malignant fever, called the camp disease, which then prevailed at Oxford. He was honourably interred towards the upper end of the south isle of the cathedral of Christ-church.

Few men have ever been so praised and regretted by their contemporaries, who have left so little to perpetuate their fame. During his sickness, the king and queen, who were then at Oxford, made anxious inquiries about the progress of his disorder. His majesty wore black on the day of his funeral, and being asked the reason, an. swered that since the Muses had so much mourned for the loss of such a son, it bad been a shame that he should not appear in mourning for the loss of such a subjects. His poems and plays which were published in 1651, are preceded by fifty copies of verses by all the wits of the time, and all in a inost laboured style of panegyric. His other encomiasts inform us that his person was as handsome as his mind, and that he not only understood Greek and Latin, but French and Italian as perfectly as his mother tongue. Dr. Fell, bishop of Oxford, said of bim, “Cartwright is the utmost man can come to," and Ben Jonson used to say, My son Cartwright writes all like a man.”

Although it must be confessed that his works, particularly his dramas, afford little justification of this high character, his poems may perhaps deserve a place among those of his contemporaries. Many of them exhibit tenderness and harmony, a copious, but sometimes, fanciful imagery, and a familiar easy humour which, connected with his amiable disposition as a man, probably led to those encomiums which, without this consideration, we should find it difficult to allow. “That,” says Wood, “ which is most remarkable is, that these his high parts and abilities were accompanied with so much sweetness and candour, that they made him equally beloved and admired by all persons, especially those of the gown and court; who esteemed also his life a fair copy of practic piety, a rare example of heroic worth, and in whom arts, learning and language, made up the true complement of perfection.” The same bice grapher informs us that he wrote Poemata Græca & Lalina.

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POEMS

OF

WILLIAM CARTWRIGHT.

A PANEGYRICK TO THE MOST NOBLE

LUCY, COUNTESSE OF CARLISLE. MADAM,

SINCE jewels by yourself are worn, Which can but darken what they should adorn ; And that aspiring incense still presumes To cloud those Heavens towards which it fumes; Permit the injury of these rites, I pray, Whose darkness is increas'd by your full day; A day would make you goddess, did you wear, As they of old, a quiver, or a spear: For you but want their trifles, and dissent Nothing in shape, but meerly ornament; Your limbs leave tracks of light, still as you go; Your gate's illumination, and for you Only to move a step is to dispence Brightness, and force, splendour, and influence; Masses of ivory blushing here and there With purple shedding, if compared, were Blots only cast on blots, resembling you No more than Monogram's rich temples do, For being your organs would inform and be, Not instruments, but acts, in others, we What elsewhere is call'd beauty, in you hold, But so much lustre, cast into a mould: Such a serene, soft, rigorous, pleasing, fierce, Lovely, self-arm'd, naked, majestickness, Compos'd of friendly contraries, do young Poetique princes shape, when they do long To strik out heroes from a mortal wombe, And mint fair conquerors for the age to come. But beauty is not all that makes you so Ador'd, by those who either see or know; 'Tis your proportion'd soul, for who ere set A common useless weed in chrystall yet? Or who with pitch doth amber boxes fill? Balsom and odours there inhabite still.: As jewels then have inward vertues, so Proportion'd to that outward light they show, That, by their lustre which appears, they bid Us turn our sense to that which does lye hid;

VOL VI.

So 'tis in you: for that light which we find
Streams in your eye, is knowledge in your mind;
That mixture of bright colours in your face,
Is equall temperance in another place;
That vigour of your limbs, appears within
True perfect valour, if we look but in;
And that proportion which doth each part fill,
Is but dispencing justice in your will.

Thus you redeem us from our errour, who
Thought it a ladie's fame, neither to know

Nor be her self known much; and would not grant
Them reputation, unless ignorant:

An Heroïna heretofore did pass

With the same faith as Centaures, and it was A tenet, that as women only were Nature's digressions, who did thence appear At best but fair mistakes, if they did do Heroic acts, th' were faults of custome too: But you who've gain'd the apex of your kind, Shew that there are no sexes in the mind, Being so candid, that we must confess That goodness is your fashion, or your dress. That you, more truly valorous, do support Virtue by daring to be good at court; Who, beyond all pretenders, are alone So much a friend to't, that with it y' are one; And when we men, the weaker vessels, do Offend, we think we did it against you. And can the thought be less, when that we see Grace powrs forth grace, good good, in one pure,

free,

And following stream, that we no more can tell
What 'tis you shew, than what true tinctures dwel
Upon the dove's bright neck, which are so one,
And divers, that we think them all, and none.
And this is your quick prudence, which conveys
One grace into another, that who saies,
You now are courteous, when you change the light,
Will say you're just, and think it a new sight;
And this is your peculiar art, we know
Others may do like actions, but not so:
The agents alter things, and what does come
Powerfull from these, flows weaker far from some,

LI

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