Then, ages hence, when all my woes are o'er, NOTES. "" Abæl. & Heloiss. p. 238.) "Eloifa herself, fays Vigneul Marville, (Melanges, t. ii. p. 55.) folicited for this abfolution; and Peter de Clugny willingly granted it. On what it could be founded, I leave to our learned theologifts to determine. In certain ages, opinions have prevailed for which no folid reason can be given.' When Eloifa died in 1163, fhe was interred by the fide of her beloved husband. I must not forget to mention, for the fake of those who are fond of modern miracles, that when fhe was put into the grave, Abelard stretched out his arms to receive her, and closely embraced her. Sub codem marmore jacent 345 Madam de Rochefoucault, the late abbefs of Paraclete, requefted an infcription from the Parifian Academy of Belles Lettres in the year 1766 for the tomb of these celebrated lovers, which has been fince put up by Madam de Roucy, her fucceffor: Hic Conditor Petrus Abelardus Anno 1142. Heloiffa 17 Maiæ 1163. Curis Carole de Rouci O'er 1779. WARTON. VER. 347.] I cannot help mentioning how excellently thefe lines from "If ever, c." to "One human tear," are adapted to mufical expreffion, and what effect might be given to them by fome able compofer. O'er the pale marble fhall they join their heads, Glance on the stone where our cold relicks lie, 350 355 360 Condemn'd NOTES. VER. 358. and be forgiv'n.] With this line it appears, at first fight, that the poem should have ended; for the eight additional verfes, concerning some poet that might arise to sing their misfortune, are rather languid and flat, and might ftand, it fhould feem, for the conclufion of almost any story, were we not informed, as I have credibly been, that they were added by the poet in allufion to his own cafe, and the ftate of his own mind. For what deter. mined him in the choice of the fubject of this epiftle, was the retreat of that lady into a nunnery, whose death he had so pathetically lamented in the foregoing elegy. "A day for ever fad, for ever dear-" Now warm in love, now withering in the grave-" E 4 Dr. Johnson's affertion does not seem to be true, that Eloifa and Abelard found quiet and confolation in retirement and piety. I will just add, that many lines in this epistle are taken from various parts of Dryden, particularly the following: She Condemn'd whole years in abfence to deplore, The well-fung woes will footh my pensive ghost; 365 NOTES. "She hugg'd th' offender, and forgave th' offence-" "" And the two fine verfes, 323 and 324, are certainly taken from Oldham on the death of Adonis: Kifs, while I watch thy fwimming eye-balls roll, WARTON. NO one that has a heart to feel, but muft acknowledge the fingular beauties of this finished compofition. The inherent indelicacy of the fubject is one objection to it, and who but muft lament its immoral effect; for of its beauty there can be but one fentiment. It may be faid of it with truth, in the language of its author: "It lives, it breathes, it speaks what love inspires, and, as long as the English language remains, it will "Call down tears thro' every age.” Pope, I have no doubt, wrote the Epistle of Sappho, and this of Eloifa, under the impreffion of ftrong perfonal feelings. It is fuppofed the fubject was fuggefted by the unfortunate young lady going into a convent, whofe untimely death occafioned the beautiful Elegy, "What beck'ning ghoft --" This circumftance might have contributed to fix the mind of Pope on cloistered and melancholy fcenes; but I cannot help 3 thinking thinking the real circumftance that occafioned these touching effufions was his early attachment to Lady Mary W. Montague. The concluding lines allude to her, as I think is evident from his letter. Speaking of a volume he had sent her when abroad, he adds, "Among the reft, you have all I am worth, that is my works there are few things in them but what : you have already seen, except the Epistle of Eloisa to Abelard, in which you will find one perfonage, that I cannot tell whether to wish you should underStand or not." |