The Sacred in MusicLutterworth Press, 1999 - 255 sivua This volume shows how music serves the sacred. It discusses secular and Christian attitudes to music, especially the use of music in seeking salvation, and music's liturgical forms. The final chapter deals with bliss and ecstasy. |
Sisältö
ACKNOWLEDGEMENTS | 7 |
SACRAMENTAL TRADITIONS | 25 |
The Incarnational Tradition | 40 |
Tekijänoikeudet | |
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acoustical aesthetic analogy appreciation Augustine Bach beauty believe biblical Calvin Chapter characterisation chords Christ church classical consonance consonance and dissonance contemplation contrast cosmic cosmos creation creativity cultural cycle of 5ths dissonance divine Dorian mode Edwards eternal expresses faith feeling fundamental given and enduring God's grace harmonic music harmony hear holy human hymn immanent Incarnational tradition intervals kind language liturgical mathematics McClary McClary's means melody minor 3rd Mozart's music music's sacramental Musical Acoustics musical experience musical modes musical temperament mystical nature notes octave overtone series panentheism pantheism partial pentatonic scale philosophy Phrygian mode piano Plato praise principles propaedeutics Pythagoras Pythagorean Comma Pythagorean intervals ratios relation religion religious experience Rorty sacramental sacramental potential sacred salvation scale Schleiermacher sense silence singing social song soul sound speaks spiritual strings theological things tonal tones transcendence truth tune University Press western Wisdom words worship writes York