The Sacred in MusicLutterworth Press, 1999 - 255 sivua This volume shows how music serves the sacred. It discusses secular and Christian attitudes to music, especially the use of music in seeking salvation, and music's liturgical forms. The final chapter deals with bliss and ecstasy. |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 33
Sivu 23
... religious contexts the word corresponding to musizieren might be " communion . " To worship is in part to commune with the transcendent source of the given and the enduring , and with other persons through that experience . In religious ...
... religious contexts the word corresponding to musizieren might be " communion . " To worship is in part to commune with the transcendent source of the given and the enduring , and with other persons through that experience . In religious ...
Sivu 111
... religious experience : “ The only question is whether it is being correctly inter- preted . " 74 Proudfoot seems to suggest that Freud is justified in interpreting and attempting to account for religious experience in his own terms of ...
... religious experience : “ The only question is whether it is being correctly inter- preted . " 74 Proudfoot seems to suggest that Freud is justified in interpreting and attempting to account for religious experience in his own terms of ...
Sivu 215
... mystical experience a sense of intimate communion with reality infinitely greater than ourselves . Music's first relation to such religious experience is an analogous sense of intimacy . Whereas vision entails interactions between our ...
... mystical experience a sense of intimate communion with reality infinitely greater than ourselves . Music's first relation to such religious experience is an analogous sense of intimacy . Whereas vision entails interactions between our ...
Sisältö
ACKNOWLEDGEMENTS | 7 |
SACRAMENTAL TRADITIONS | 25 |
The Incarnational Tradition | 40 |
Tekijänoikeudet | |
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acoustical aesthetic analogy appreciation Augustine Bach beauty believe biblical Calvin Chapter characterisation chords Christ church classical consonance consonance and dissonance contemplation contrast cosmic cosmos creation creativity cultural cycle of 5ths dissonance divine Dorian mode Edwards eternal expresses faith feeling fundamental given and enduring God's grace harmonic music harmony hear holy human hymn immanent Incarnational tradition intervals kind language liturgical mathematics McClary McClary's means melody minor 3rd Mozart's music music's sacramental Musical Acoustics musical experience musical modes musical temperament mystical nature notes octave overtone series panentheism pantheism partial pentatonic scale philosophy Phrygian mode piano Plato praise principles propaedeutics Pythagoras Pythagorean Comma Pythagorean intervals ratios relation religion religious experience Rorty sacramental sacramental potential sacred salvation scale Schleiermacher sense silence singing social song soul sound speaks spiritual strings theological things tonal tones transcendence truth tune University Press western Wisdom words worship writes York