Beckett in the 1990s: Selected Papers from the Second International Beckett Symposium Held in The Hague, 8-12 April, 1992Marius Buning, Lois Oppenheim Rodopi, 1993 - 367 sivua |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 31
Sivu 2
... final dimout . - Like lighting , Beckett's phrases repeat from play to play , accumulating into a vision that has been described as " ghostly " by critics ranging from Abbott to Zurbrugg . David Watson has grouped Beckett's last three ...
... final dimout . - Like lighting , Beckett's phrases repeat from play to play , accumulating into a vision that has been described as " ghostly " by critics ranging from Abbott to Zurbrugg . David Watson has grouped Beckett's last three ...
Sivu 8
... final perspective on Beckett's ghosting is that of performance , as adumbrated by the director - turned - critic , Herbert Blau . Some two decades after Blau's Actor's Workshop performed Waiting for Godot in San Quentin prison ...
... final perspective on Beckett's ghosting is that of performance , as adumbrated by the director - turned - critic , Herbert Blau . Some two decades after Blau's Actor's Workshop performed Waiting for Godot in San Quentin prison ...
Sivu 32
... final undoing . Again , I mean originality in the sense of the word before it had lost the older meaning of its root , and when the word was still closely related to the notion that art should be authentic rather than singular or ...
... final undoing . Again , I mean originality in the sense of the word before it had lost the older meaning of its root , and when the word was still closely related to the notion that art should be authentic rather than singular or ...
Sivu 34
... final turning against the self - conscious mind in its need to find reasons for the unanswerable , the rhythms , in amongst the clutter of the images , form the poem's unclut- teredness — its sayability — in short , its originality ...
... final turning against the self - conscious mind in its need to find reasons for the unanswerable , the rhythms , in amongst the clutter of the images , form the poem's unclut- teredness — its sayability — in short , its originality ...
Sivu 39
... final piece he wrote , " What is the word , " Beckett is no further than where he was at the start : the jigging rhythms are rem- iniscent of the giddy quality of Lucky's cacophonic diatribe against " Acacacacademia " and of the ...
... final piece he wrote , " What is the word , " Beckett is no further than where he was at the start : the jigging rhythms are rem- iniscent of the giddy quality of Lucky's cacophonic diatribe against " Acacacacademia " and of the ...
Yleiset termit ja lausekkeet
Act Without Words artist audience autre Beckett's plays beckettien bien Bram van Velde c'est Calder Cascando catastrophe characters chose chute Clov context d'autres d'une dernier deux dialogue discours dramatic effet également Endgame English Estragon être Faber fait fiction film fois footfalls fragment French genres narratifs Ghost Hamm human jamais Korsakoff Krapp Krapp's Last Tape l'être l'oeuvre language literary London Malone Malone Dies Martin Esslin meaning memory Minetti Molloy monde mots n'est narrateur narration narrative novel oeuvre Ohio Impromptu original pantalon paraverbale Paris parler parole Pause personnages peut peut-être phrase Piece of Monologue pièces poem postmodernism première present prose qu'il Quadrat récit repetition représentation rhythm Rockaby roman Samuel Beckett scène scéniques sens sense silence sound souvent speak stage story structure sujet temps théâtre Tourgueniev tout translation Trilogy Unnamable vers voice voir voix Waiting for Godot Watt Winnie words yeux
Suositut otteet
Sivu 312 - And thou, child, shalt be called the prophet of the Highest, for thou shalt go before the face of the Lord to prepare his ways...
Sivu 88 - I said again I thought it was hopeless and no good going on, and she agreed, without opening her eyes. ( Pause. ) I asked her to look at me and after a few moments— (pause)— after a few moments she did, but the eyes just slits, because of the glare. I bent over her to get them in the shadow and they opened. ( Pause. Low. ) Let me in.
Sivu 178 - No, indeed; but an obscure, harmless man, a man in poor clothes, his loins usually girt in a coarse gown, or canonical coat ; of a mean stature, and stooping, and yet more lowly in the thoughts of his soul ; his body worn out, not with age, but study and holy mortifications ; his face full of heat-pimples, begot by his inactivity and sedentary life.
Sivu 15 - The expression that there is nothing to express, nothing with which to express, nothing from which to express, no power to express, no desire to express, together with the obligation to express.
Sivu 255 - Till finally you hear how words are coming to an end. With every inane word a little nearer to the last. And how the fable too. The fable of one with you in the dark. The fable of one fabling of one with you in the dark. And how better in the end labour lost and silence. And you as you always were. Alone.
Sivu 23 - Have you not done tormenting me with your accursed time? It's abominable. When! When! One day, is that not enough for you, one day like any other day, one day he went dumb, one day I went blind, one day we'll go deaf, one day we were born, one day we'll die, the same day, the same second, is that not enough for you ? (Calmer) They give birth astride of a grave, the light gleams an instant, then it's night once more.
Sivu 88 - I asked her to look at me and after a few moments — [Pause.] — after a few moments she did, but the eyes just slits, because of the glare. I bent over her to get them in a shadow and they opened.
Sivu 298 - If we can't keep our genres more or less distinct, or extricate them from the confusion that has them where they are, we might as well go home and lie down.
Sivu 312 - And it came to pass, that on the eighth day they came to circumcise the child ; and -they called him Zacharias, after the name of his father. And his mother answered and said, Not so ; but he shall be called John.