Beckett in the 1990s: Selected Papers from the Second International Beckett Symposium Held in The Hague, 8-12 April, 1992Marius Buning, Lois Oppenheim Rodopi, 1993 - 367 sivua |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 27
Sivu 2
... memory of Fanny as a " Bony old ghost of a whore . " In That Time the B - memory strand situates a pair of lovers grotesquely " on the towpath with the ghosts of the mules . " Beckett's television play Ghost Trio confines the word ...
... memory of Fanny as a " Bony old ghost of a whore . " In That Time the B - memory strand situates a pair of lovers grotesquely " on the towpath with the ghosts of the mules . " Beckett's television play Ghost Trio confines the word ...
Sivu 5
... memory , body and shadow , charity , love , noise , or dust . The nine lines give birth to a ghost - globe , before the sestet returns us to our everyday , populous world in which the speaker feels so alone that he looks for another ...
... memory , body and shadow , charity , love , noise , or dust . The nine lines give birth to a ghost - globe , before the sestet returns us to our everyday , populous world in which the speaker feels so alone that he looks for another ...
Sivu 25
... memory of a body . The catastrophe in Catastrophe has lost its sense of belonging to a play or other . It becomes a catastrophe per se , the catastrophe par excellence , applicable to all stories and to none . This progressive itinerary ...
... memory of a body . The catastrophe in Catastrophe has lost its sense of belonging to a play or other . It becomes a catastrophe per se , the catastrophe par excellence , applicable to all stories and to none . This progressive itinerary ...
Sivu 35
... memory that was spatial and rhythmic rather than visual in its components . Beckett's criticism , of Proust or of the paintings of the Van Velde brothers , shows a similar concern for the spatial , musical , quality as opposed to the ...
... memory that was spatial and rhythmic rather than visual in its components . Beckett's criticism , of Proust or of the paintings of the Van Velde brothers , shows a similar concern for the spatial , musical , quality as opposed to the ...
Sivu 36
... his inner ear . What is unique in Beckett's writing is the physiological pressure of memory as a spatially time - bound medium , where to be alive is to endure physiologically the pressure of worlds - upon - worlds and 3366.
... his inner ear . What is unique in Beckett's writing is the physiological pressure of memory as a spatially time - bound medium , where to be alive is to endure physiologically the pressure of worlds - upon - worlds and 3366.
Yleiset termit ja lausekkeet
Act Without Words artist audience autre Beckett's plays beckettien bien Bram van Velde c'est Calder Cascando catastrophe characters chose chute Clov context d'autres d'une dernier deux dialogue discours dramatic effet également Endgame English Estragon être Faber fait fiction film fois footfalls fragment French genres narratifs Ghost Hamm human jamais Korsakoff Krapp Krapp's Last Tape l'être l'oeuvre language literary London Malone Malone Dies Martin Esslin meaning memory Minetti Molloy monde mots n'est narrateur narration narrative novel oeuvre Ohio Impromptu original pantalon paraverbale Paris parler parole Pause personnages peut peut-être phrase Piece of Monologue pièces poem postmodernism première present prose qu'il Quadrat récit repetition représentation rhythm Rockaby roman Samuel Beckett scène scéniques sens sense silence sound souvent speak stage story structure sujet temps théâtre Tourgueniev tout translation Trilogy Unnamable vers voice voir voix Waiting for Godot Watt Winnie words yeux
Suositut otteet
Sivu 312 - And thou, child, shalt be called the prophet of the Highest, for thou shalt go before the face of the Lord to prepare his ways...
Sivu 88 - I said again I thought it was hopeless and no good going on, and she agreed, without opening her eyes. ( Pause. ) I asked her to look at me and after a few moments— (pause)— after a few moments she did, but the eyes just slits, because of the glare. I bent over her to get them in the shadow and they opened. ( Pause. Low. ) Let me in.
Sivu 178 - No, indeed; but an obscure, harmless man, a man in poor clothes, his loins usually girt in a coarse gown, or canonical coat ; of a mean stature, and stooping, and yet more lowly in the thoughts of his soul ; his body worn out, not with age, but study and holy mortifications ; his face full of heat-pimples, begot by his inactivity and sedentary life.
Sivu 15 - The expression that there is nothing to express, nothing with which to express, nothing from which to express, no power to express, no desire to express, together with the obligation to express.
Sivu 255 - Till finally you hear how words are coming to an end. With every inane word a little nearer to the last. And how the fable too. The fable of one with you in the dark. The fable of one fabling of one with you in the dark. And how better in the end labour lost and silence. And you as you always were. Alone.
Sivu 23 - Have you not done tormenting me with your accursed time? It's abominable. When! When! One day, is that not enough for you, one day like any other day, one day he went dumb, one day I went blind, one day we'll go deaf, one day we were born, one day we'll die, the same day, the same second, is that not enough for you ? (Calmer) They give birth astride of a grave, the light gleams an instant, then it's night once more.
Sivu 88 - I asked her to look at me and after a few moments — [Pause.] — after a few moments she did, but the eyes just slits, because of the glare. I bent over her to get them in a shadow and they opened.
Sivu 298 - If we can't keep our genres more or less distinct, or extricate them from the confusion that has them where they are, we might as well go home and lie down.
Sivu 312 - And it came to pass, that on the eighth day they came to circumcise the child ; and -they called him Zacharias, after the name of his father. And his mother answered and said, Not so ; but he shall be called John.