Wearie to fee th' inconftance of the heauens; Hir head full brauely with a morian armed; An hundred vanquisht kings gronde at her feete, I faw the heauens warre against her tho, And seeing bir ftriken fall with clap of thunder, It must here be obferved that the fixth, eighth, thirteenth, and fourteenth, Visions of Bellay, which are in Spenfer's tranflation as published in 1591, are not in the Theatre for Worldlings; but four others are substituted, of which the writer thus fpeaks: "And, to the ende we myght speake more at large of the thing, I haue taken foure Vifions out of the Reuelation of S. Iohn, where as the Holy Ghoft by S. Iohn fetteth him (Antichrift) out in his proper colours." fol. 20. As the book is not often to be met with, and as the subject is fo much connected with Spenfer's poetry, the reader might be displeased if I witheld the four different Vifions from his perufal. I. I SAW an vgly beast come from the sea, That feuen heads, ten crounes, ten hornes did beare, The cruell Leopard she resembled much : II. I SAW a Woman fitting on a beast, Before mine eyes, of orenge colour hew; She feemde with glorie of the scarlet faire, III. THEN might I fee vpon a white horse set IV. I SAW new Earth, new Heauen, fayde Saint John. A voice then fayde, Beholde the bright abode Ranne through the mid, fprong from triumphant feat. As to the Visions of Petrarch in this little volume, they are very nearly the fame with Spenser's avowed tranflations; the following being the only variations. The FIRST is literally word for word the fame as Spenfer's, except that, in the ninth line, The Theatre reads "this gentle beaft" and Spenfer, "that gentle beast." In the SECOND, The Theatre at the end of the line Strake on a rock &c. places a full point, and then reads: "O great misfortune, O great griefe, I fay, In the THIRD, The Theatre reads "a fresh" instead of " the fresh;" and, in the feventh line, "My fprites were ravisht with these pleasures there." The FOURTH prefents the following variations in The Theatre, viz. in the first line, "the rocke;" in the seventh, "Vnto the gentle founding of the waters fall;" in the eighth, "The fight whereof did make my heart rejoice;" in the ninth, "But while I tooke herein &c." The thirteenth and fourteenth lines are not in The Theatre. The FIFTH contains no other difference in The Theatre, except that, in the feventh line, "at length" occurs instead of "at laft;" and that, instead of the three last lines of Spenfer's avowed tranflation, the Vision clofes with the following line: "For pittie and love my heart yet burnes in paine." In the SIXTH, the only variations, which The Theatre exhibits, are "in thinking" inftead of "thinking yet" in the fecond line; "in earth" instead of " on earth" in the eleventh ; "But bitter griefe that doth our hearts annoy," in the twelfth; and the want of the 13th and 14th lines. Spenfer's SEVENTII occurs not in The Theatre. But to the fix preceding, (Epigrams as they are also called,) are added these four lines: "My Song thus now, in thy conclufions, "Say boldly that these fame fix Vifions "Do yelde vnto thy lorde a fweete request, I will only add here, that the book, though entitled A Theatre for Worldlings, confifts chiefly of predictions of the ruin of Rome and fall of Antichrift; a fubject, particularly interesting to Spenfer. However, fee the Life of the poet; and a further extract from this work, in the note on Spenfer's Sonnet prefixed to the Hift. of Georg. Caftriot, and printed in this edition. ToDD. DAPHNAÏDA: AN ELEGIE Upon the Death of the noble and vertuous Douglas Howard, Daughter and Heire of Henry Lord Howard, Viscount Byndon, and Wife of Arthur Gorges, Efquier. DEDICATED TO THE RIGHT HONORABLE THE LADIE HELENA, MARQUESSE OF NORTHAMPTON. BY ED. SP. |