On the Performance Front: US Theatre and InternationalismSpringer, 30.6.2015 - 312 sivua This book argues that US theatre in the 20th century embraced the theories and practices of internationalism as a way to realize a better world and as part of the strategic reform of the theatre into a national expression. Live performance, theatre internationalists argued, could represent and reflect the nation like no other endeavour. |
Sisältö
The Tributary Theatre | |
The Marriage Proposal 1927 | |
The US InterNational Theatre | |
Hamlet 1949 | |
Tomorrows Theatre Today | |
Porgy and Bess 19521956 | |
Conclusion | |
Notes | |
Muita painoksia - Näytä kaikki
On the Performance Front: US Theatre and Internationalism C. Canning Esikatselu ei käytettävissä - 2020 |
Yleiset termit ja lausekkeet
abroad actors Adams African American American Theatre ANTA ANTA board ANTA’s Art Theatre audiences Berlin Blevins Davis Broadway Cheney Clurman Cold Cold War committee communist Congress create critics cultural diplomacy dance Department director drama Edith Isaacs Eisenhower Europe European experience federal festival Firmin Gémier Foundation funds Gémier Germany global Guggenheim Hallie Flanagan Hamlet idea International Theatre Institute internationalism internationalists interview interwar ITI/NYPLPA J. B. Priestley Katter League letter Little Theatres magazine Meyerhold Moscow Art Theatre national theatre Negro official organization performance play playwright political Porgy and Bess Porterfield postwar President Priestley production RB/GMU Report represented RG/NYPLPA Robert Boyce Robert Breen Robert Porterfield role Rosamond Gilder Russian theatre scene SD/UAR Soviet Union stage SUDT Théâtre theatre artists Theatre Arts theatre’s theatrical tour TRI/OSU Truman twentieth century UNESCO United University Press USSR wanted Wilva wrote York