English Critical Essays (sixteenth, Seventeenth, and Eighteenth Centuries) Selected and Ed. by Edmund D. JonesEdmund David Jones H. Milford, Oxford University Press, 1940 - 460 sivua |
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Sivu 237
... greater ode , they must necessarily derive their pre - eminence from the subjects of which they treated , since it has been plainly made to appear that they could not derive it from any external or internal advantage . And it follows ...
... greater ode , they must necessarily derive their pre - eminence from the subjects of which they treated , since it has been plainly made to appear that they could not derive it from any external or internal advantage . And it follows ...
Sivu 241
... greater poetry - I mean either sacred in their own natures , or by their manner of handling them . That passion is more to be derived from a sacred subject than from a profane one . We have proved that passion is the chief thing in ...
... greater poetry - I mean either sacred in their own natures , or by their manner of handling them . That passion is more to be derived from a sacred subject than from a profane one . We have proved that passion is the chief thing in ...
Sivu 243
... greater the enthusiasm must be . If any one asks what sort of passions these are , that thus unknown to us flow from these thoughts , to him I answer , that the same sort of passions flow from the thoughts that would do from the things ...
... greater the enthusiasm must be . If any one asks what sort of passions these are , that thus unknown to us flow from these thoughts , to him I answer , that the same sort of passions flow from the thoughts that would do from the things ...
Sisältö
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 65 |
SAMUEL DANIEL 15621619 | 72 |
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written