English Critical Essays (sixteenth, Seventeenth, and Eighteenth Centuries) Selected and Ed. by Edmund D. JonesEdmund David Jones H. Milford, Oxford University Press, 1940 - 460 sivua |
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Sivu 205
... imagination would raise either irregularly or loosely ; at least , if the poet commits errors with this help , he would make greater and more without it : ' tis , in short , a slow and painful , but the surest kind of working . Ovid ...
... imagination would raise either irregularly or loosely ; at least , if the poet commits errors with this help , he would make greater and more without it : ' tis , in short , a slow and painful , but the surest kind of working . Ovid ...
Sivu 244
... imagination being fired with that agitation sets the very things before our eyes , and consequently makes us have the same passions that we should have from the things themselves . For the warmer the imagination is , the more present ...
... imagination being fired with that agitation sets the very things before our eyes , and consequently makes us have the same passions that we should have from the things themselves . For the warmer the imagination is , the more present ...
Sivu 305
... imagination naturally fruitful and superstitious . Besides this , he ought to be very well versed in legends and fables , antiquated romances , and the traditions of nurses and old women , that he may fall in with our natural prejudices ...
... imagination naturally fruitful and superstitious . Besides this , he ought to be very well versed in legends and fables , antiquated romances , and the traditions of nurses and old women , that he may fall in with our natural prejudices ...
Sisältö
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 65 |
SAMUEL DANIEL 15621619 | 72 |
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written