English Critical Essays (sixteenth, Seventeenth, and Eighteenth Centuries) Selected and Ed. by Edmund D. JonesEdmund David Jones H. Milford, Oxford University Press, 1940 - 460 sivua |
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Sivu 303
... language , and with which Milton has so very much enriched , and in some places darkened the language of his poem , was the more proper for his use , because his poem is written in blank verse ; rhyme , without any other assistance ...
... language , and with which Milton has so very much enriched , and in some places darkened the language of his poem , was the more proper for his use , because his poem is written in blank verse ; rhyme , without any other assistance ...
Sivu 310
... language of the age is never the language of poetry ; except among the French , whose verse , where the thought or image does not support it , differs in nothing from prose . Our poetry , on the contrary , has a language peculiar to ...
... language of the age is never the language of poetry ; except among the French , whose verse , where the thought or image does not support it , differs in nothing from prose . Our poetry , on the contrary , has a language peculiar to ...
Sivu 444
... language and the thought ; but the language is too luxuriant , and the thoughts have nothing new . There has of late arisen a practice of giving to adjectives , derived from substantives , the ter- mination of participles ; such as the ...
... language and the thought ; but the language is too luxuriant , and the thoughts have nothing new . There has of late arisen a practice of giving to adjectives , derived from substantives , the ter- mination of participles ; such as the ...
Sisältö
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 65 |
SAMUEL DANIEL 15621619 | 72 |
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Yleiset termit ja lausekkeet
action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written