English Critical Essays (sixteenth, Seventeenth, and Eighteenth Centuries) Selected and Ed. by Edmund D. JonesEdmund David Jones H. Milford, Oxford University Press, 1940 - 460 sivua |
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Sivu 244
... once the imagination is so inflamed as to get the better of the understanding , there is no difference between the images and the things themselves ; as we see , for example , in fears and madmen . Thus have we shown that enthusiasm ...
... once the imagination is so inflamed as to get the better of the understanding , there is no difference between the images and the things themselves ; as we see , for example , in fears and madmen . Thus have we shown that enthusiasm ...
Sivu 257
... once own the happy lines , How the wit brightens ! How the style refines Before his sacred name flies ev'ry fault , And each exalted stanza teems with thought ! The vulgar thus through imitation err ; As oft the learn'd by being ...
... once own the happy lines , How the wit brightens ! How the style refines Before his sacred name flies ev'ry fault , And each exalted stanza teems with thought ! The vulgar thus through imitation err ; As oft the learn'd by being ...
Sivu 263
... taste exact , yet unconfin'd ; A knowledge both of books and humankind : Gen'rous converse ; a soul exempt from pride ; And love to praise , with reason on his side ? Such once were critics ; such the happy few , AN ESSAY ON CRITICISM 263.
... taste exact , yet unconfin'd ; A knowledge both of books and humankind : Gen'rous converse ; a soul exempt from pride ; And love to praise , with reason on his side ? Such once were critics ; such the happy few , AN ESSAY ON CRITICISM 263.
Sisältö
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 65 |
SAMUEL DANIEL 15621619 | 72 |
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written