English Critical Essays (sixteenth, Seventeenth, and Eighteenth Centuries) Selected and Ed. by Edmund D. JonesEdmund David Jones H. Milford, Oxford University Press, 1940 - 460 sivua |
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Sivu 240
... passion . Let any one who beholds a piece of painting , where the figures are shown in action , conclude that if the figures are without passion the painting is contemptible . There must be passion everywhere in poetry and painting ...
... passion . Let any one who beholds a piece of painting , where the figures are shown in action , conclude that if the figures are without passion the painting is contemptible . There must be passion everywhere in poetry and painting ...
Sivu 241
... passion , whether it be ordinary or enthusiastic . And thus we have shown what the chief excel- lence in the body of poetry is , which we have proved to be passion . Let us now proceed to the proofs of what we propounded , that sacred ...
... passion , whether it be ordinary or enthusiastic . And thus we have shown what the chief excel- lence in the body of poetry is , which we have proved to be passion . Let us now proceed to the proofs of what we propounded , that sacred ...
Sivu 242
... passion guided by judgement , whose cause is not comprehended by us . That it is a passion is plain , because it moves . That the cause is not comprehended is self - evident . That it ought to be guided by judgement is indubitable . For ...
... passion guided by judgement , whose cause is not comprehended by us . That it is a passion is plain , because it moves . That the cause is not comprehended is self - evident . That it ought to be guided by judgement is indubitable . For ...
Sisältö
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 65 |
SAMUEL DANIEL 15621619 | 72 |
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English Critical Essays (Sixteenth, Seventeenth, and Eighteenth Centuries ... Edmund D. Jones Esikatselu ei käytettävissä - 2018 |
English Critical Essays (Sixteenth, Seventeenth, and Eighteenth Centuries ... Edmund David Jones Esikatselu ei käytettävissä - 2016 |
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written