English Critical Essays (sixteenth, Seventeenth, and Eighteenth Centuries) Selected and Ed. by Edmund D. JonesEdmund David Jones H. Milford, Oxford University Press, 1940 - 460 sivua |
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Tulokset 1 - 3 kokonaismäärästä 52
Sivu 193
... sense , already prepared to heighten the second : many times the close of the sense falls into the middle of the next verse , or farther off , and he may often prevail himself of the same advantages in English which Virgil had in Latin ...
... sense , already prepared to heighten the second : many times the close of the sense falls into the middle of the next verse , or farther off , and he may often prevail himself of the same advantages in English which Virgil had in Latin ...
Sivu 229
... sense and poetry as well as they , when that poetry and sense is put into words which they understand . I will go farther , and dare to add , that what beauties I lose in some places , I give to others which had them not originally but ...
... sense and poetry as well as they , when that poetry and sense is put into words which they understand . I will go farther , and dare to add , that what beauties I lose in some places , I give to others which had them not originally but ...
Sivu 262
... sense belov❜d . Be niggards of advice on no pretence ; For the worst avarice is that of sense . With mean complacence ne'er betray your trust , Nor be so civil as to prove unjust . Fear not the anger of the wise to raise : Those best ...
... sense belov❜d . Be niggards of advice on no pretence ; For the worst avarice is that of sense . With mean complacence ne'er betray your trust , Nor be so civil as to prove unjust . Fear not the anger of the wise to raise : Those best ...
Sisältö
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 65 |
SAMUEL DANIEL 15621619 | 72 |
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English Critical Essays (Sixteenth, Seventeenth, and Eighteenth Centuries ... Edmund David Jones Esikatselu ei käytettävissä - 2016 |
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written