Elements of CriticismConner & Cooke, 1833 - 504 sivua |
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Sivu 11
... proper foundation - To censure works , not men , the proper object of criticism - Time the only true standard of taste . THAT nothing external is perceived till it first makes an impression upon the organ of sense , is an observation ...
... proper foundation - To censure works , not men , the proper object of criticism - Time the only true standard of taste . THAT nothing external is perceived till it first makes an impression upon the organ of sense , is an observation ...
Sivu 12
... proper- ties beside those of dignity and elevation . Being sweet and mode- rately exhilarating , they are , in their tone , equally distant from the turbulence of passion , and the languor of indolence : and by that tone are perfectly ...
... proper- ties beside those of dignity and elevation . Being sweet and mode- rately exhilarating , they are , in their tone , equally distant from the turbulence of passion , and the languor of indolence : and by that tone are perfectly ...
Sivu 13
... proper care , greatly improved . In this respect , a taste in the fine arts goes hand in hand with the moral sense , to which indeed it is nearly allied . Both of them discover what is right and what is wrong : fashion , temper , and ...
... proper care , greatly improved . In this respect , a taste in the fine arts goes hand in hand with the moral sense , to which indeed it is nearly allied . Both of them discover what is right and what is wrong : fashion , temper , and ...
Sivu 17
... proper , such as may express any number of parts less than the whole . This he thinks is signified by the title he has chosen , viz . Elements of CRITICISM . 2 * asychianos , mi . W to sroten adt maig ) INTRODUCTION . 17.
... proper , such as may express any number of parts less than the whole . This he thinks is signified by the title he has chosen , viz . Elements of CRITICISM . 2 * asychianos , mi . W to sroten adt maig ) INTRODUCTION . 17.
Sivu 22
... proper connection , we are conscious of a certain pleasure arising from that circum- stance . Among objects of equal rank , the pleasure is proportioned *** A train of perceptions or ideas , with respect to its uniformity and variety ...
... proper connection , we are conscious of a certain pleasure arising from that circum- stance . Among objects of equal rank , the pleasure is proportioned *** A train of perceptions or ideas , with respect to its uniformity and variety ...
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Yleiset termit ja lausekkeet
accent action Æneid agreeable appear beauty blank verse Cæsar Chap circumstance color congruity connected degree Demetrius Phalereus dignity disagreeable distinguished distress effect elevation emotion raised Eneid epic epic poetry Euripides example expression external signs feeling figure Fingal foregoing garden give grandeur grief habit hand heav'n Hence Henry IV Hexameter Hudibras human ideas Iliad imagination impression instances Jane Shore Julius Cæsar kind language less manner means melody mind motion Mourning Bride nature never object observation occasion ornaments Othello painful Paradise Lost passion pause peculiar perceived perceptions person pleasant emotion pleasure poem produce pronounced proper proportion propriety qualities reader reason relation relish remarkable resemblance respect rhyme Richard II ridicule rule scarcely scene sense sensible sentiments Shakspeare short syllables sight simile sion sound spectator Spondees taste termed thee things thou thought tion tone tragedy uniformity variety verse words writer
Suositut otteet
Sivu 143 - All places that the eye of heaven visits Are to a wise man ports and happy havens : Teach thy necessity to reason thus ; There is no virtue like necessity.
Sivu 371 - And now go to ; I will tell you what I will do to my vineyard : I will take away the hedge thereof, and it shall be eaten up, And break down the wall thereof, and it shall be trodden down...
Sivu 397 - There are a sort of men, whose visages Do cream and mantle like a standing pond; And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, "I am Sir Oracle, And when I ope my lips, let no dog bark!
Sivu 112 - Why, man, he doth bestride the narrow world, Like a Colossus ; and we petty men Walk under his huge legs, and peep about To find ourselves dishonourable graves.
Sivu 445 - With mazy error under pendent shades Ran nectar, visiting each plant, and fed Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
Sivu 406 - With thee conversing I forget all time ; All seasons and their change, all please alike. Sweet is the breath of morn, her rising sweet, With charm of earliest birds...
Sivu 405 - But whate'er you are That in this desert inaccessible, Under the shade of melancholy boughs, Lose and neglect the creeping hours of time ; If ever you have look'd on better days, If ever been where bells have knoll'd to church, If ever sat at any good man's feast, If ever from your eyelids wiped a tear And know what 'tis to pity and be pitied, Let gentleness my strong enforcement be : In the which hope I blush, and hide my sword.
Sivu 226 - I better brook the loss of brittle life Than those proud titles thou hast won of me ; They wound my thoughts worse than thy sword my flesh : But thought's the slave of life, and life time's fool ; And time, that takes survey of all the world, Must have a stop.
Sivu 388 - Why, well : Never so truly happy, my good Cromwell. I know myself now ; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Sivu 377 - Methought I heard a voice cry, Sleep no more ! Macbeth does murder sleep, the innocent sleep ; Sleep, that knits up the ravell'd sleave of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast ;— Lady M.