Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sivua |
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Tulokset 1 - 3 kokonaismäärästä 94
Sivu 37
Gerald Wester Chapman. John Dryden 1631-1700 WITHOUT THE Janus - figure of Dryden , the classical tradition in Eng- land might have splintered off and died of narrowness and irrele- vance . He ... DRYDEN (1631-1700) JOHN DRYDEN (1631-1700)
Gerald Wester Chapman. John Dryden 1631-1700 WITHOUT THE Janus - figure of Dryden , the classical tradition in Eng- land might have splintered off and died of narrowness and irrele- vance . He ... DRYDEN (1631-1700) JOHN DRYDEN (1631-1700)
Sivu 43
... Dryden illuminates his own art even as he throws a forward light on Swift , Pope , and others yet to come . Its genetic formalism is Aristotelian : satire originated in a natural human instinct for invective and mocking , and expressed ...
... Dryden illuminates his own art even as he throws a forward light on Swift , Pope , and others yet to come . Its genetic formalism is Aristotelian : satire originated in a natural human instinct for invective and mocking , and expressed ...
Sivu 514
... Dryden than to Pope . The rectitude of Dryden's mind was sufficiently shown by the dismission of his poetical prejudices , and the rejection of unnatural thoughts and rugged numbers . But Dryden never desired to apply all the judg- ment ...
... Dryden than to Pope . The rectitude of Dryden's mind was sufficiently shown by the dismission of his poetical prejudices , and the rejection of unnatural thoughts and rugged numbers . But Dryden never desired to apply all the judg- ment ...
Sisältö
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing