Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sivua |
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Sivu 41
... proper to the character who tells it , while the character himself is individually distinct and proper to the fourteenth century . ) Each character has thought " which arises naturally from the subject or which the poet adapts to it ...
... proper to the character who tells it , while the character himself is individually distinct and proper to the fourteenth century . ) Each character has thought " which arises naturally from the subject or which the poet adapts to it ...
Sivu 141
... proper means for the attaining of every end , and those proper means in poetry we call the rules . Again , if the end of poetry be to instruct and reform the world , that is , to bring mankind from irregularity , extravagance , and ...
... proper means for the attaining of every end , and those proper means in poetry we call the rules . Again , if the end of poetry be to instruct and reform the world , that is , to bring mankind from irregularity , extravagance , and ...
Sivu 303
... proper characters of blame and dis- approbation , this must be allowed to disfigure the poem , and to be a real deformity . I cannot , nor is it proper I should , enter into such sentiments ; and however I may excuse the poet on account ...
... proper characters of blame and dis- approbation , this must be allowed to disfigure the poem , and to be a real deformity . I cannot , nor is it proper I should , enter into such sentiments ; and however I may excuse the poet on account ...
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INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
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action Addison admiration Aeneid ancient appear Aristotle audience beauty Ben Jonson called character comedy common composition criticism delight discourse dramatic Dryden effect eighteenth century English epic epic poetry Essay Essay on Criticism excellence expression Falstaff fancy Francis Hutcheson French genius give Gondibert heroic Hobbes Homer Horace Hudibras human humor ideas Iliad images imagination imitation Johnson Joseph Warton judge judgment Juvenal kind language laughter learning living mankind manner means Milton mind modern moral nation nature neoclassic neoclassicism never numbers objects observed opinion original Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleased pleasure poem poesy poet poetical poetry Pope principles produce reader reason resemblance rhyme ridiculous rules satire scenes sense sentiments Shakespeare Silent Woman sometimes spirit sublime taste theory things thought tion tragedy true truth verse Virgil virtue words writing