Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sivua |
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Tulokset 1 - 3 kokonaismäärästä 63
Sivu 88
... represented , most frequently begets that malicious pleasure in the audience which is testified by laughter , as all things which are deviations from customs are ever the aptest to produce it : though by the way this laughter is only ...
... represented , most frequently begets that malicious pleasure in the audience which is testified by laughter , as all things which are deviations from customs are ever the aptest to produce it : though by the way this laughter is only ...
Sivu 250
... represented - since it is in the power of the imagina- tion , when it is once stocked with particular ideas , to enlarge , com- pound , and vary them at her own pleasure . Among the different kinds of representation , statuary is the ...
... represented - since it is in the power of the imagina- tion , when it is once stocked with particular ideas , to enlarge , com- pound , and vary them at her own pleasure . Among the different kinds of representation , statuary is the ...
Sivu 454
... represented , the real and poetical duration is the same . If in the first act preparations for war against Mithridates are represented to be made in Rome , the event of the war may , without absurdity , be represented in the ...
... represented , the real and poetical duration is the same . If in the first act preparations for war against Mithridates are represented to be made in Rome , the event of the war may , without absurdity , be represented in the ...
Sisältö
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing