Paradise Lost, 1668-1968: Three Centuries of CommentaryEarl Roy Miner, William Moeck, Steven Edward Jablonski Bucknell University Press, 2004 - 510 sivua The Commentary, the first full version on Paradise Lost since the Richardsons' in 1734, combines numerous resources with features used for the first time. It includes the best commentary from Annotations like Patrick Hume's (1695), to the variorum editions of Newton (1749) and Todd (1801-42), and the modern professional editions culminating in Alastair Fowler's (1968). Other elements include an essay on the early pre-annotative criticism from 1668, including Marvell, Dryden, Dennis, and others; copious use of the OED; numerous cross-references to Milton's other works and passages in Paradise Lost; fourteen excurses and other contributions by the present editors. This Commentary is itself a research library for Paradise Lost. It uniquely presents biblical, classical, and vernacular citations: the ultimate rather than a more recent source is cited, so dating the comment; every cited passage is quoted, and every question is in English. Only a text of the poem is required. Earl Miner is Townsend Martin, Class of 1917, Professor of English and Comparative Literature at Princeton University, William Moeck teaches English at Nassau Community College. Steven Jablonski is a public librari |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 91
Sivu 85
... face / Deep scars of Thunder had intrencht . " Intrench'd " means " cut into , had made trenches in his face . " The same word is used in speak- ing of a scar by Shakespeare , All's Well That Ends Well 2.1.44-45 , " it was this very ...
... face / Deep scars of Thunder had intrencht . " Intrench'd " means " cut into , had made trenches in his face . " The same word is used in speak- ing of a scar by Shakespeare , All's Well That Ends Well 2.1.44-45 , " it was this very ...
Sivu 327
... face is visible in advance as she ap- proaches , and so is like the " prologue " ( i.e. , prologue- speaker ) of a play . But it also remains on her face as she speaks , to help out her words , and so is like the prompter of a play ...
... face is visible in advance as she ap- proaches , and so is like the " prologue " ( i.e. , prologue- speaker ) of a play . But it also remains on her face as she speaks , to help out her words , and so is like the prompter of a play ...
Sivu 380
... face to face thou maist these spirits see , / And for a little space , right well sustaine / Their glorious light , and view those angels plaine . " [ N ] ¶ [ Dunster remarks on the similarity of Trissino , Italia Liberata 9 [ ? ] . [ T ] ...
... face to face thou maist these spirits see , / And for a little space , right well sustaine / Their glorious light , and view those angels plaine . " [ N ] ¶ [ Dunster remarks on the similarity of Trissino , Italia Liberata 9 [ ? ] . [ T ] ...
Muita painoksia - Näytä kaikki
Paradise Lost, 1668-1968: Three Centuries of Commentary Earl Roy Miner,William Moeck,Steven Edward Jablonski Rajoitettu esikatselu - 2004 |
Yleiset termit ja lausekkeet
Adam Aeneid Aeschylus angels appears beginning Book called Christ citing compared created creation darkness death describes divine earth evil example expression eyes fall Father fire follows four fruit Genesis give given God's gods ground hand hath head heaven Hell Homer human Hume idea Iliad John kind King land Latin light lines living Lord matter means mentioned Milton mind nature Newton night observed Ovid Paradise Lost passage perhaps poem poets present Psalms Raphael readers reason refers Satan says seems sense Shakespeare shows Song speaks speech Spenser Spirit stand Tasso thee things thir thou thought tion tree turn unto Virgil whole wind