Sacred and Legendary Art, Nide 1Longman, Brown, Green, Longmans, & Roberts, 1857 |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 60
Sivu vii
... idea of instructing , than from a wish to share with others those pleasurable associations , those ever new and ever various aspects of character and sentiment , as exhibited in Art , which have been a source of such vivid enjoyment to ...
... idea of instructing , than from a wish to share with others those pleasurable associations , those ever new and ever various aspects of character and sentiment , as exhibited in Art , which have been a source of such vivid enjoyment to ...
Sivu 7
... ideas on which people set up a pretension to taste - the false notions , the mixture of pedantry and ignorance , which ... idea of Art as Art , and that they placed connoisseurship on a better and truer basis . In those days we had ...
... ideas on which people set up a pretension to taste - the false notions , the mixture of pedantry and ignorance , which ... idea of Art as Art , and that they placed connoisseurship on a better and truer basis . In those days we had ...
Sivu 9
... idea of their meaning , derivation , or relative propriety . The palm of victory , we know , designates the martyr triumphant in death . We so far emulate the critical sagacity of the gardener in Zeluco that we have learned to ...
... idea of their meaning , derivation , or relative propriety . The palm of victory , we know , designates the martyr triumphant in death . We so far emulate the critical sagacity of the gardener in Zeluco that we have learned to ...
Sivu 11
... idea : and some scriptural and some legendary subjects may be devotional , or historical , according to the sentiment conveyed ; for example , the Crucifixion and the Last Supper may be so represented as either to exhibit an event , or ...
... idea : and some scriptural and some legendary subjects may be devotional , or historical , according to the sentiment conveyed ; for example , the Crucifixion and the Last Supper may be so represented as either to exhibit an event , or ...
Sivu 14
... idea of the true object and feeling of such representations , that he thinks it necessary to apologise for the error of the painter , or the mis- taken piety of his employer . We must remember that the personages here brought together ...
... idea of the true object and feeling of such representations , that he thinks it necessary to apologise for the error of the painter , or the mis- taken piety of his employer . We must remember that the personages here brought together ...
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Albert Dürer altar Ambrose ancient angels apostles appears Archangels artist attribute Augustine bear beard beautiful Bishop Byzantine Art Cathedral celestial century chapel character Cherubim Christ Christian church colour composition Correggio cross crown Crucifixion demon divine Domenichino dragon drapery early emblem Evangelists example expression famous feet figures of St Florence fresco Gabriel Gallery Gaudenzio Ferrari Giotto glory Gospel grace Greek Gregory Guercino hair hand head heaven holds Holy human instance Italian Jerome John John Chrysostom Judas kneeling legend legendary lion look Lord Louvre Luke Madonna Martha Martyr martyrdom Mary Magdalene Mary of Egypt Michael mosaics painted painters patron saint Paul penance penitent personages Peter and St placed poetical Raphael Ravenna religious representations represented robes Rome sacred sarcophagi Saviour scene Scripture seated seen sentiment side signifies sometimes soul spirit stands supposed sword symbol thou throne Titian treatment Vatican Venetian school Venice Virgin wings