An Essay on Elocution: Designed for the Use of Schools and Private LearnersPratt, Woodford & Company, 1852 - 357 sivua |
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Sivu 24
... diphthongal character of a will be more clearly demonstrated , if its sound be protracted , and uttered with an emotion of surprise , at the close of an inter rogation thus , ' Do you call that a ? ' The character of this opening ...
... diphthongal character of a will be more clearly demonstrated , if its sound be protracted , and uttered with an emotion of surprise , at the close of an inter rogation thus , ' Do you call that a ? ' The character of this opening ...
Sivu 25
... diphthongal character of a , by pronouncing it in such a manner as fully to display its radical and vanishing movement of sound . Explode i , y , ou , e , o , & c . so as to illustrate the radical and vanish of each . Why are the ...
... diphthongal character of a , by pronouncing it in such a manner as fully to display its radical and vanishing movement of sound . Explode i , y , ou , e , o , & c . so as to illustrate the radical and vanish of each . Why are the ...
Sivu 44
... diphthongal sounds of y in sky , i in kind , ui in guide , ua in guard , and the like , which is far more common than the last two referred to , and but little less nauseating . Under a false view of elegance , many pronounce these ...
... diphthongal sounds of y in sky , i in kind , ui in guide , ua in guard , and the like , which is far more common than the last two referred to , and but little less nauseating . Under a false view of elegance , many pronounce these ...
Sivu 45
... diphthongal sounds of y , i , ui , and ua , in such words , are not represented by ei and ea when separately pronounced , but when united and blended , as it were , into one sound . Hence , the common people , who know nothing of the ...
... diphthongal sounds of y , i , ui , and ua , in such words , are not represented by ei and ea when separately pronounced , but when united and blended , as it were , into one sound . Hence , the common people , who know nothing of the ...
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accent adverb affected agreeable appear applied articulation attention beauty blank verse Brutus cæsuras called Caspar Cesar circumflex close dark death degree Demosthenes diphthongal direct distinct earth elementary sounds elocution emphasis emphatick force employed enunciation equal wave errour EXERCISES expressed eyes falling inflection final pause give given happy hath hearers heart heaven honour horse-fly human human voice i-de illustrate important learner letter Lochiel look Lord mân manner meaning ment mind modulation musick nature o'er observed orthoepy peculiar pitch poetick poetry principles pronouncing pronunciation proper protracted publick radical and vanish reader reading Remarks rhetorical pauses rising inflection Rule SECTION semitone Sennacherib sense sentence sentiments SIMPLE SERIES soul speak speaker spirit stress subtonick superiour syllable taste tence thee thing thou thought tion tone tonick elements uncle Toby unequal wave uttered variety verse voice vowel words