Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's LiteraturesGale Research Incorporated, 1993 - 574 sivua Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 51
Sivu 6
... felt , if not by every member of the audience ; such misgivings , for example , were seldom felt by those who profited by the conditions in question ) . The purpose of our investigation was to reveal the means by which those onerous ...
... felt , if not by every member of the audience ; such misgivings , for example , were seldom felt by those who profited by the conditions in question ) . The purpose of our investigation was to reveal the means by which those onerous ...
Sivu 59
... felt , for a real one , and the real one , by all means , suggests the world of Zinoviev , Buk- harin , and Rakovsky . However , if this interpretation is valid , Brecht's unconscious made , surely , the same identi- fication as his ...
... felt , for a real one , and the real one , by all means , suggests the world of Zinoviev , Buk- harin , and Rakovsky . However , if this interpretation is valid , Brecht's unconscious made , surely , the same identi- fication as his ...
Sivu 67
... felt , paraphrasing Eliot , as strongly as the odor of a rose , that there is a pleasure and a tension that can only be described as dramatic in the ineluctable movement of dialectic , and that even the absolute qualities of music can ...
... felt , paraphrasing Eliot , as strongly as the odor of a rose , that there is a pleasure and a tension that can only be described as dramatic in the ineluctable movement of dialectic , and that even the absolute qualities of music can ...
Sisältö
Pedro Calderón de la Barca | 87 |
John Dryden | 144 |
Athol Fugard | 220 |
Tekijänoikeudet | |
7 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Drama Criticism: Criticism of the Most Significant and Widely ..., Nide 2 Lawrence J. Trudeau Esikatselu ei käytettävissä - 1992 |
Yleiset termit ja lausekkeet
action actors Andrea Antony Athol Fugard audience Aureng-Zebe Azdak Balthazar Bel-imperia Bertolt Brecht Blood Knot Brecht Butler Saw Calderón Caucasian Chalk Circle Chalk Circle characters Cleopatra comedy comic critical death Demeas drama dramatist Dryden Dyskolos Elizabethan emotional epic epic theatre essay date Eusebio farce father Fugard Galileo hero heroic plays Hieronimo honor Horatio human imagery irony Joe Orton John John Dryden justice King Knemon Kyd's Langston Hughes literary living Loot Lorenzo lovers marriage Marriage A-la-Mode masks means Menander Menander's ment modern moral Morrie Moschion Mother Courage murder nature Negro Orton passion person play's playwright plot poet poetry political Port Elizabeth production revenge rhyme role Rosaura scene Segismundo sense sexual Shakespeare Sizwe Sloane social Sostratos South African Spanish Tragedy speech stage story theatre theme tion tragic truth Ventidius verse wife woman words writing Zach