Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's LiteraturesGale Research Incorporated, 1993 - 574 sivua Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 84
Sivu 2
... later works . Although a strong proponent of didacticism , or instruction , as the primary purpose of drama , Brecht demonstrated in his later plays an increas- ing awareness of drama's need to entertain in order to con- vey ideas ...
... later works . Although a strong proponent of didacticism , or instruction , as the primary purpose of drama , Brecht demonstrated in his later plays an increas- ing awareness of drama's need to entertain in order to con- vey ideas ...
Sivu 55
... later text , it is clear that Galileo sees himself as already in hell for having actually squandered ( betrayed ) the gift of intellect , so what we see in the penultimate scene of the later text is a portrait of a " collaborator , " a ...
... later text , it is clear that Galileo sees himself as already in hell for having actually squandered ( betrayed ) the gift of intellect , so what we see in the penultimate scene of the later text is a portrait of a " collaborator , " a ...
Sivu 111
... later Fernando to be speaking here , he has been misunder- stood by Enrique ; though he must have seen that he was being misunderstood , he does not undeceive him . Fernan- do has shown human frailty , and this makes his later saint ...
... later Fernando to be speaking here , he has been misunder- stood by Enrique ; though he must have seen that he was being misunderstood , he does not undeceive him . Fernan- do has shown human frailty , and this makes his later saint ...
Sisältö
Pedro Calderón de la Barca | 87 |
John Dryden | 144 |
Athol Fugard | 220 |
Tekijänoikeudet | |
7 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Drama Criticism: Criticism of the Most Significant and Widely ..., Nide 2 Lawrence J. Trudeau Esikatselu ei käytettävissä - 1992 |
Yleiset termit ja lausekkeet
action actors Andrea Antony Athol Fugard audience Aureng-Zebe Azdak Balthazar Bel-imperia Bertolt Brecht Blood Knot Brecht Butler Saw Calderón Caucasian Chalk Circle Chalk Circle characters Cleopatra comedy comic critical death Demeas drama dramatist Dryden Dyskolos Elizabethan emotional epic epic theatre essay date Eusebio farce father Fugard Galileo hero heroic plays Hieronimo honor Horatio human imagery irony Joe Orton John John Dryden justice King Knemon Kyd's Langston Hughes literary living Loot Lorenzo lovers marriage Marriage A-la-Mode masks means Menander Menander's ment modern moral Morrie Moschion Mother Courage murder nature Negro Orton passion person play's playwright plot poet poetry political Port Elizabeth production revenge rhyme role Rosaura scene Segismundo sense sexual Shakespeare Sizwe Sloane social Sostratos South African Spanish Tragedy speech stage story theatre theme tion tragic truth Ventidius verse wife woman words writing Zach