Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's LiteraturesGale Research Incorporated, 1993 - 574 sivua Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 81
Sivu 192
... once lost , farewell their sanctity . ( III.i.157-58 ) Once princes diminish their power by taking advice from their subjects , they ' but like publick pageants move ' , re- duced to player kings without power and so without sanc- tity ...
... once lost , farewell their sanctity . ( III.i.157-58 ) Once princes diminish their power by taking advice from their subjects , they ' but like publick pageants move ' , re- duced to player kings without power and so without sanc- tity ...
Sivu 210
... once to the same act . Alexas leaves pleased with himself if anx- ious— “ But , oh ! the Romans ! / Fate comes too fast upon my wit , / Hunts me too hard " ( 254-56 ) . Antony is simply exhausted in public will— " I will not fight ...
... once to the same act . Alexas leaves pleased with himself if anx- ious— “ But , oh ! the Romans ! / Fate comes too fast upon my wit , / Hunts me too hard " ( 254-56 ) . Antony is simply exhausted in public will— " I will not fight ...
Sivu 262
... once again , the new generation of post- Sowetan critics of Athol Fugard's drama . Mastering his violence and the desire to strike Hally for spitting at him , Sam carefully considers the strategy of aggression with Willie , and they ...
... once again , the new generation of post- Sowetan critics of Athol Fugard's drama . Mastering his violence and the desire to strike Hally for spitting at him , Sam carefully considers the strategy of aggression with Willie , and they ...
Sisältö
Pedro Calderón de la Barca | 87 |
John Dryden | 144 |
Athol Fugard | 220 |
Tekijänoikeudet | |
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Drama Criticism: Criticism of the Most Significant and Widely ..., Nide 2 Lawrence J. Trudeau Esikatselu ei käytettävissä - 1992 |
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action actors Andrea Antony Athol Fugard audience Aureng-Zebe Azdak Balthazar Bel-imperia Bertolt Brecht Blood Knot Brecht Butler Saw Calderón Caucasian Chalk Circle Chalk Circle characters Cleopatra comedy comic critical death Demeas drama dramatist Dryden Dyskolos Elizabethan emotional epic epic theatre essay date Eusebio farce father Fugard Galileo hero heroic plays Hieronimo honor Horatio human imagery irony Joe Orton John John Dryden justice King Knemon Kyd's Langston Hughes literary living Loot Lorenzo lovers marriage Marriage A-la-Mode masks means Menander Menander's ment modern moral Morrie Moschion Mother Courage murder nature Negro Orton passion person play's playwright plot poet poetry political Port Elizabeth production revenge rhyme role Rosaura scene Segismundo sense sexual Shakespeare Sizwe Sloane social Sostratos South African Spanish Tragedy speech stage story theatre theme tion tragic truth Ventidius verse wife woman words writing Zach