Critical Writing for the JournalistChilton Company, Book Division, 1959 - 207 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 28
Sivu 122
... ( lines 31 to 47 and 66 to 82 ) . It avoids picking out any particular artists but gives a clue to them ( lines 13 , 14 , 24 to 28 , 37 to 43 ) . Nor does it condemn regional art as such . The news aspects are kept to a minimum ( lines 1 ...
... ( lines 31 to 47 and 66 to 82 ) . It avoids picking out any particular artists but gives a clue to them ( lines 13 , 14 , 24 to 28 , 37 to 43 ) . Nor does it condemn regional art as such . The news aspects are kept to a minimum ( lines 1 ...
Sivu 147
... ( lines 1 to 11 ) . Lines 12 to 19 suggest to the reader that he will be given the reasons for the literary change that is noted . Lines 20 to 34 document the assertion that anonymity once was the rule among journalists . From 34 to 109 ...
... ( lines 1 to 11 ) . Lines 12 to 19 suggest to the reader that he will be given the reasons for the literary change that is noted . Lines 20 to 34 document the assertion that anonymity once was the rule among journalists . From 34 to 109 ...
Sivu 162
... lines 34 to 62 we find general background on recording of music . From lines 63 to 135 Mr. Marsh discusses Toscanini's recording sessions , methods , and results . He then ( lines 136 to 320 ) takes up , in what constitutes the heart ...
... lines 34 to 62 we find general background on recording of music . From lines 63 to 135 Mr. Marsh discusses Toscanini's recording sessions , methods , and results . He then ( lines 136 to 320 ) takes up , in what constitutes the heart ...
Sisältö
What Is Critical Writing? | 1 |
Extent and Functions | 13 |
The Criticisms of Journalistic Criticism | 25 |
Tekijänoikeudet | |
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advertising American appears art critic art form artists authoritarian background ballet Berkshire Eagle Book Review Boston career century chapter chestra Chicago Chicago Sun-Times column concert conductor copy critical article critical journal critical writing daily devoted drama critic Edited Editor & Publisher evaluation example fact function George Jean Nathan give Granville Hicks High Fidelity impressionism impressionistic interest journalistic criticism less lines literary criticism literature Martin Mayer material method motion pictures movie music critic noted novel novelist Olin Downes orchestra painting paper paragraph performance persons philosophy play printed produced radio and television radio-television readers recordings regular reporter Saturday Review space special pages staff standards story style Sunday Symphony syndicate Syracuse television criticism theater tion Toscanini usually views Vincent Sheean volume weekly words wrote York Herald Tribune Yorker zines