Domestic Tragedy in English: Brief Survey, Nide 2Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982 - 465 sivua |
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Tulokset 1 - 3 kokonaismäärästä 60
Sivu 328
... America was affirming what England and Europe had already acknowledged . Thus , we find in early American drama no startling or unique innovations . Working within old forms , however , American play- wrights have created an impressive ...
... America was affirming what England and Europe had already acknowledged . Thus , we find in early American drama no startling or unique innovations . Working within old forms , however , American play- wrights have created an impressive ...
Sivu 329
... AMERICAN DRAMA TO 1900 Apparently the first play acted in America was a college comedy entitled Ye Bare and Ye Cubb ( 1665 ) . The first drama written by an American and given a professional production was Thomas Godfrey's tragedy The ...
... AMERICAN DRAMA TO 1900 Apparently the first play acted in America was a college comedy entitled Ye Bare and Ye Cubb ( 1665 ) . The first drama written by an American and given a professional production was Thomas Godfrey's tragedy The ...
Sivu 331
... American characteris- tics . 11 More traditional , less innovative than the plays of Tyler and Dunlap , was an American version of Lessing's Miss Sara Sampson ( 1755 ) . This work was by David Rittenhouse , who gave it an American title ...
... American characteris- tics . 11 More traditional , less innovative than the plays of Tyler and Dunlap , was an American version of Lessing's Miss Sara Sampson ( 1755 ) . This work was by David Rittenhouse , who gave it an American title ...
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Abbey Theatre absurd absurdist achieve adapted American drama American Plays Arden of Feversham Arthur Miller attempts attitude audience Beckett Bernbaum Boucicault British catastrophe characters common death depicted diction domestic tragedy dramatists effective eighteenth century Eliot Elizabethan England English Drama Esslin Eugene O'Neill Everyman evil expression Family Reunion Fatal Curiosity forces Galsworthy Gamester genre George Barnwell George Lillo Henrik Ibsen Herne History of English human Ibid Ibsen Iceman Cometh idealized tragedy ideas influenced John Galsworthy Kauffmann lack language Lillo's London Merchant Martin Esslin melodrama modern drama modern tragedy modern tragic moral Nicoll nineteenth century novel O'Casey O'Neill's ordinary Pinero play's playwrights poet poetic poetry popular portrayal portrayed problems prose protagonist realism romantic Salesman sentimental comedy social stage Stanley Kauffmann suggests Synge's Tennessee Williams theater theme Thomas tragic drama twentieth century University Press verse victims villain weak Weales Willy Loman Willy's writers wrote York Yorkshire Tragedy