Domestic Tragedy in English: Brief Survey, Nide 2Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982 - 465 sivua |
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Tulokset 1 - 3 kokonaismäärästä 61
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become a staple of American television , via the soap operas ( which are now even synopsized in the Sunday papers ) . What did America drama achieve in its early years ? Alan Downer explains , " The first century of American playwriting ...
become a staple of American television , via the soap operas ( which are now even synopsized in the Sunday papers ) . What did America drama achieve in its early years ? Alan Downer explains , " The first century of American playwriting ...
Sivu 329
PART ONE : AMERICAN DRAMA TO 1900 Apparently the first play acted in America was a college comedy entitled Ye Bare and Ye Cubb ( 1665 ) . The first drama written by an American and given a professional production was Thomas Godfrey's ...
PART ONE : AMERICAN DRAMA TO 1900 Apparently the first play acted in America was a college comedy entitled Ye Bare and Ye Cubb ( 1665 ) . The first drama written by an American and given a professional production was Thomas Godfrey's ...
Sivu 331
were forging stage types that displayed American characteris11 tics . More traditional , less innovative than the plays of Tyler and Dunlap , was an American version of Lessing's Miss Sara Sampson ( 1755 ) .
were forging stage types that displayed American characteris11 tics . More traditional , less innovative than the plays of Tyler and Dunlap , was an American version of Lessing's Miss Sara Sampson ( 1755 ) .
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achieve action adapted Aeschylus American American drama Arthur attempts attitude audience become British calls cause Chapter characters comedy common continued critics death depicted described Despite discussed domestic tragedy drama dramatists earlier early effective eighteenth century elements Eliot Elizabethan emotions England English English Drama Eugene evil example existence expression Fatal figure final forces George History human Husband Ibid Ibsen idealized ideas important influenced interest John lack language later lead Lillo Literature live London London Merchant major melodrama Miller modern tragedy moral natural never Nicoll nineteenth century notes novel O'Neill ordinary perhaps person play playwrights poetic poetry popular portrayed potential present Press problems produced prose protagonist realism reflect result Robert Salesman says seems sense sentimental situation social society stage suffering suggests theater theme Thomas tragic understand University values victims wanted weak Willy writers written wrote York