Domestic Tragedy in English: Brief Survey, Nide 2Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982 - 465 sivua |
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Tulokset 1 - 3 kokonaismäärästä 47
Sivu 245
SECTION THREE : 1800 TO THE PRESENT CHAPTER IX NINETEENTH - CENTURY DEVELOPMENTS IN ENGLAND AND ON THE CONTINENT By the late eighteenth century , England had lost the lead in drama . It would become a place of active theatrical ...
SECTION THREE : 1800 TO THE PRESENT CHAPTER IX NINETEENTH - CENTURY DEVELOPMENTS IN ENGLAND AND ON THE CONTINENT By the late eighteenth century , England had lost the lead in drama . It would become a place of active theatrical ...
Sivu 249
Kotzebue won attention in England toward the close of the eighteenth century , having been " adapted " in such a popular play as Benjamin Thompson's Stranger ( 1798 ) . Thompson's play , while a weak drama , does have some problem ...
Kotzebue won attention in England toward the close of the eighteenth century , having been " adapted " in such a popular play as Benjamin Thompson's Stranger ( 1798 ) . Thompson's play , while a weak drama , does have some problem ...
Sivu 328
America was affirming what England and Europe had already acknowledged . Thus , we find in early American drama no startling or unique innovations . Working within old forms , however , American playwrights have created an impressive ...
America was affirming what England and Europe had already acknowledged . Thus , we find in early American drama no startling or unique innovations . Working within old forms , however , American playwrights have created an impressive ...
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achieve action adapted Aeschylus American American drama Arthur attempts attitude audience become British calls cause Chapter characters comedy common continued critics death depicted described Despite discussed domestic tragedy drama dramatists earlier early effective eighteenth century elements Eliot Elizabethan emotions England English English Drama Eugene evil example existence expression Fatal figure final forces George History human Husband Ibid Ibsen idealized ideas important influenced interest John lack language later lead Lillo Literature live London London Merchant major melodrama Miller modern tragedy moral natural never Nicoll nineteenth century notes novel O'Neill ordinary perhaps person play playwrights poetic poetry popular portrayed potential present Press problems produced prose protagonist realism reflect result Robert Salesman says seems sense sentimental situation social society stage suffering suggests theater theme Thomas tragic understand University values victims wanted weak Willy writers written wrote York