Domestic Tragedy in English: Brief Survey, Nide 2Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982 - 465 sivua |
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Tulokset 1 - 3 kokonaismäärästä 28
Sivu 232
That was John Hewitt's Fatal Falsehood , produced at Drury Lane on the nights of February 11 , 12 , 14 , and 15. ( Notice that Hewitt , unlike Johnson , received his author's benefit . ) The play , featuring an epilogue by Aaron Hill ...
That was John Hewitt's Fatal Falsehood , produced at Drury Lane on the nights of February 11 , 12 , 14 , and 15. ( Notice that Hewitt , unlike Johnson , received his author's benefit . ) The play , featuring an epilogue by Aaron Hill ...
Sivu 237
Thomas Hull tried to make the ending tragic in his version , The 64 Fatal Interview ( Drury Lane , November 16 , 1782 ) . The play was not successful , being given only one performance . Nicoll describes The Fatal Interview as having ...
Thomas Hull tried to make the ending tragic in his version , The 64 Fatal Interview ( Drury Lane , November 16 , 1782 ) . The play was not successful , being given only one performance . Nicoll describes The Fatal Interview as having ...
Sivu 445
See Beaumarchais , Fatal Friendship , The . See Pierre - Augustin Caron de Johnson , Charles Euripides , 23-4 , 319 , 362 , 410 Fatal Interview , The . See European drama . See Hull , Thomas Continental drama Fatal Love , The .
See Beaumarchais , Fatal Friendship , The . See Pierre - Augustin Caron de Johnson , Charles Euripides , 23-4 , 319 , 362 , 410 Fatal Interview , The . See European drama . See Hull , Thomas Continental drama Fatal Love , The .
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achieve action adapted Aeschylus American American drama Arthur attempts attitude audience become British calls cause Chapter characters comedy common continued critics death depicted described Despite discussed domestic tragedy drama dramatists earlier early effective eighteenth century elements Eliot Elizabethan emotions England English English Drama Eugene evil example existence expression Fatal figure final forces George History human Husband Ibid Ibsen idealized ideas important influenced interest John lack language later lead Lillo Literature live London London Merchant major melodrama Miller modern tragedy moral natural never Nicoll nineteenth century notes novel O'Neill ordinary perhaps person play playwrights poetic poetry popular portrayed potential present Press problems produced prose protagonist realism reflect result Robert Salesman says seems sense sentimental situation social society stage suffering suggests theater theme Thomas tragic understand University values victims wanted weak Willy writers written wrote York