Domestic Tragedy in English: Brief Survey, Nide 2Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982 - 465 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 39
Sivu 352
Similarly , in O'Neill's plays , fate is a malign force which determines ironically the tragedies of its victims . There is no ultimate relief from pain in O'Neill's world . Fate is actively ironic . Beyond the Horizon contains a ...
Similarly , in O'Neill's plays , fate is a malign force which determines ironically the tragedies of its victims . There is no ultimate relief from pain in O'Neill's world . Fate is actively ironic . Beyond the Horizon contains a ...
Sivu 353
demonstrates O'Neill's incapacities . The flaws of O'Neill the dramatist were isolated in an early and sympathetic critical 44 biography by Barrett H. Clark . More recent comments about O'Neill continue to criticize strongly his use of ...
demonstrates O'Neill's incapacities . The flaws of O'Neill the dramatist were isolated in an early and sympathetic critical 44 biography by Barrett H. Clark . More recent comments about O'Neill continue to criticize strongly his use of ...
Sivu 354
O'Neill's word choice tended to be stilted , tedious , and overdone . He was talky and repetitive , and he was unable to translate natural idiom into regional dialect through the use of characteristic sentence patterns .
O'Neill's word choice tended to be stilted , tedious , and overdone . He was talky and repetitive , and he was unable to translate natural idiom into regional dialect through the use of characteristic sentence patterns .
Mitä ihmiset sanovat - Kirjoita arvostelu
Yhtään arvostelua ei löytynyt.
Yleiset termit ja lausekkeet
achieve action adapted Aeschylus American American drama Arthur attempts attitude audience become British calls cause Chapter characters comedy common continued critics death depicted described Despite discussed domestic tragedy drama dramatists earlier early effective eighteenth century elements Eliot Elizabethan emotions England English English Drama Eugene evil example existence expression Fatal figure final forces George History human Husband Ibid Ibsen idealized ideas important influenced interest John lack language later lead Lillo Literature live London London Merchant major melodrama Miller modern tragedy moral natural never Nicoll nineteenth century notes novel O'Neill ordinary perhaps person play playwrights poetic poetry popular portrayed potential present Press problems produced prose protagonist realism reflect result Robert Salesman says seems sense sentimental situation social society stage suffering suggests theater theme Thomas tragic understand University values victims wanted weak Willy writers written wrote York