Domestic Tragedy in English: Brief Survey, Nide 2Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982 - 465 sivua |
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Sivu 227
( 1772 ) on laughing comedy and crying comedy ( which the French called comédie larmoyante ) . Goldsmith castigated the mixed form , which he called " bastard tragedy . " He went on , referring to " a new species of dramatic composition ...
( 1772 ) on laughing comedy and crying comedy ( which the French called comédie larmoyante ) . Goldsmith castigated the mixed form , which he called " bastard tragedy . " He went on , referring to " a new species of dramatic composition ...
Sivu 238
Sentimental comedy was often pure escapism . Even that great intellect , Dr. Samuel Johnson , admitted that he used the theater " to escape from myself . The philosopher David Hume expressed a similar idea , saying that a play " makes ...
Sentimental comedy was often pure escapism . Even that great intellect , Dr. Samuel Johnson , admitted that he used the theater " to escape from myself . The philosopher David Hume expressed a similar idea , saying that a play " makes ...
Sivu 400
This pleasure , however , is not ... derived from tragedy , but is rather suited to comedy . The audience's wish to be accommodated by comic expression , the desire for a plot depicting a character's rise to fortune rather than his fall ...
This pleasure , however , is not ... derived from tragedy , but is rather suited to comedy . The audience's wish to be accommodated by comic expression , the desire for a plot depicting a character's rise to fortune rather than his fall ...
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achieve action adapted Aeschylus American American drama Arthur attempts attitude audience become British calls cause Chapter characters comedy common continued critics death depicted described Despite discussed domestic tragedy drama dramatists earlier early effective eighteenth century elements Eliot Elizabethan emotions England English English Drama Eugene evil example existence expression Fatal figure final forces George History human Husband Ibid Ibsen idealized ideas important influenced interest John lack language later lead Lillo Literature live London London Merchant major melodrama Miller modern tragedy moral natural never Nicoll nineteenth century notes novel O'Neill ordinary perhaps person play playwrights poetic poetry popular portrayed potential present Press problems produced prose protagonist realism reflect result Robert Salesman says seems sense sentimental situation social society stage suffering suggests theater theme Thomas tragic understand University values victims wanted weak Willy writers written wrote York