Domestic Tragedy in English: Brief Survey, Nide 2Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982 - 465 sivua |
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Sivu 296
In what should be a highly emotional scene , the playwright represses the emotions of his characters and dulls those of his audience . Amy , a married woman , has a discussion with Trebell , a man who is high in British politics .
In what should be a highly emotional scene , the playwright represses the emotions of his characters and dulls those of his audience . Amy , a married woman , has a discussion with Trebell , a man who is high in British politics .
Sivu 345
Strength of diction and spontaneous expression of emotion are the main virtues of Anderson's verse . For example , the rough and bitter opening lines of the gangster Trock hardly need their metric form , for prose also can achieve ...
Strength of diction and spontaneous expression of emotion are the main virtues of Anderson's verse . For example , the rough and bitter opening lines of the gangster Trock hardly need their metric form , for prose also can achieve ...
Sivu 357
He seemed at times to have become enamored of the emotions and words of his characters . Consequently , he lacked brevity . Despite these flaws , O'Neill can depict the characters and convey the emotions and tone that are so important ...
He seemed at times to have become enamored of the emotions and words of his characters . Consequently , he lacked brevity . Despite these flaws , O'Neill can depict the characters and convey the emotions and tone that are so important ...
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achieve action adapted Aeschylus American American drama Arthur attempts attitude audience become British calls cause Chapter characters comedy common continued critics death depicted described Despite discussed domestic tragedy drama dramatists earlier early effective eighteenth century elements Eliot Elizabethan emotions England English English Drama Eugene evil example existence expression Fatal figure final forces George History human Husband Ibid Ibsen idealized ideas important influenced interest John lack language later lead Lillo Literature live London London Merchant major melodrama Miller modern tragedy moral natural never Nicoll nineteenth century notes novel O'Neill ordinary perhaps person play playwrights poetic poetry popular portrayed potential present Press problems produced prose protagonist realism reflect result Robert Salesman says seems sense sentimental situation social society stage suffering suggests theater theme Thomas tragic understand University values victims wanted weak Willy writers written wrote York